159edo/Interval names and harmonies: Difference between revisions

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* Is one half of this system's approximation of the Neo-Gothic Minor Third
* Is one half of this system's approximation of the Neo-Gothic Minor Third
* Is one third of this system's approximation of the Classic Diminished Fourth
* Is one third of this system's approximation of the Classic Diminished Fourth
* Is the closest approximation of [[17edo]]'s Neutral Second found in this system, and thus...
:* Is capable of being used for similar modulatory moves, albeit with caveats, since such moves on their own don't work the exact same way in this system
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| Tendoneutral Second, Greater Super-Augmented Prime
| Tendoneutral Second, Greater Super-Augmented Prime
| Ed>, Dt#>↓
| Ed>, Dt#>↓
| As one of two neutral seconds in this system, this interval is the one that most closely resembles the [[low-complexity JI]] neutral second, and thus, it is frequently used in much the same way as 24edo's own Neutral Second.
| This interval...
* Approximates the [[12/11|Alpharabian Tendoneutral Second]], which is the traditional, [[low-complexity JI|low complexity]] Undecimal Neutral Second, and as such...
:* It serves as the larger and more consonant of two Neutral Seconds in Western-Classical-based Paradiatonic functional harmony, and thus...
::* It can be thought of as something along the lines of a "narrow whole tone" in voice-leading
::* Can occur as the distance between two notes in a single chord in Western-Classical-based polypedal harmony, though since it is an ambisonance, it's prone to decomposition
::* Has the potential to move to the Pythagorean Minor Third through a Paradiatonic "wide semitone" motion
::* Has the potential to move to the Lesser Subminor Second through a type of Chromatic semitone motion
* Is one fifth of this system's approximation of the Just Paramajor Fifth
* Is the closest approximation of 24edo's own Neutral Second in this system, and thus...
:* Follows similar interval arithmetic logic in relation to Pythagorean intervals, albeit with caveats, since the rastma is not tempered out
:* Can be used in melodic and harmonic gestures reminiscent of those found in that system, since such moves on their own don't work the exact same way in this system
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