159edo/Interval names and harmonies: Difference between revisions

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* Is one half of this system's approximation of the Octave-Reduced Seventeenth Harmonic  
* Is one half of this system's approximation of the Octave-Reduced Seventeenth Harmonic  
* Is one fifth of this system's approximation of the Septimal Subminor Third
* Is one fifth of this system's approximation of the Septimal Subminor Third
* Is the closest approximation of 22edo's own Minor Second in this system, and thus...
* Is the closest approximation of [[22edo]]'s own Minor Second in this system, and thus...
:* Is capable of being used in certain similar melodic and harmonic gestures, albeit with caveats, since the biyatisma is not tempered out
:* Is capable of being used in certain similar melodic and harmonic gestures, albeit with caveats, since the biyatisma is not tempered out
* Is the closest approximation of 24edo's own Ultraprime in this system, and thus...
* Is the closest approximation of 24edo's own Ultraprime in this system, and thus...
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| This interval...  
| This interval...  
* Approximates the [[28/27|Septimal Subminor Second]], and thus...
* Approximates the [[28/27|Septimal Subminor Second]], and thus...
:* Is the narrowest interval that can be used in Western-Classical-based harmony and Neomedieval harmony as a proper leading tone
:* Is the narrowest interval that can be used in Western-Classical-based harmony and Neo-Medieval harmony as a proper leading tone
* Is the closest approximation of the [[19edo]] Augmented Prime found in this system, and thus...
* Is the closest approximation of the [[19edo]] Augmented Prime found in this system, and thus...
:* Is capable of being used for similar modulatory moves, albeit with caveats, since such moves on their own don't work the exact same way in this system
:* Is capable of being used for similar modulatory moves, albeit with caveats, since such moves on their own don't work the exact same way in this system
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| Narrow Minor Second, Greater Sub-Augmented Prime
| Narrow Minor Second, Greater Sub-Augmented Prime
| Eb\, Dt>↑
| Eb\, Dt>↑
| Not only does this interval serve as a type of leading tone due to it being the approximation of the Septimal Minor Semitone, but it should be noted that six of these add up to a Perfect Fourth.
| This interval...
* Approximates the [[21/20|Septimal Minor Semitone]], and thus...
:* It serves as a type of leading tone when resolving septimal harmony constructions to classic harmony constructions
* Approximates the [[22/21|Small Undecimal Semitone]], and thus...
:* It serves as a type of small chromatic semitone in undecimal harmony constructions
* Is one sixth of this system's approximation of the Octave-Reduced Third Subharmonic or Perfect Fourth
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|-
| 12
| 12
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| Pythagorean Minor Second, Ptolemaic Augmented Prime
| Pythagorean Minor Second, Ptolemaic Augmented Prime
| Eb, D#↓
| Eb, D#↓
| As the approximation of both the Pythagorean Minor Second and the Ptolemaic Augmented Prime, this interval is used accordingly; however, it is also worth noting that as a further consequence of the [[schisma]] being tempered out in this system, two of these add up to the approximation of the Ptolemaic Major Second.
| This interval...
* Approximates the [[256/243|Pythagorean Minor Second]], as implied by one if its names, and as such...
:* It serves as a Diatonic semitone in both Western-Classical-based harmony and Neo-Medieval harmony, and thus...
::* Can be used readily in both melodic and harmonic voice-leading in general
::* Can occur as the distance between two notes in a single chord in Western-Classical-based polypedal harmony, though this is a dissonance that requires resolution
::* Has the potential to move directly back down to the Tonic as a reverse leading-tone
* Approximates the [[135/128|Major Chroma]] or Ptolemaic Augmented Prime, and as such...
:* It serves as a chromatic semitone in the 5-limit Diatonic settings that are common to Western-Classical-based harmony, and thus...
::* It separates Pythagorean Major intervals from Ptolemaic Minor Intervals from Pythagorean Major intervals, and likewise separates Ptolemaic Major intervals from Pythagorean Minor intervals
* As a further consequence of the [[schisma]] being tempered out in this system, this interval is one half of this system's approximation of the Ptolemaic Major Second
* Is the closest approximation of [[13edo]]'s own Minor Second in this system, and thus...
:* Can be used in [[Warped diatonic|Warped Diatonic]] gestures reminiscent of those found in that system
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| 13