159edo/Interval names and harmonies: Difference between revisions

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Trying to get a handle on the types of diminished fourth in here- I need to catch up on this before I start working with major thirds...
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| kkM2, RN2, rUA1
| kkM2, RN2, rUA1
| Lesser Submajor Second, Diretroptolemaic Augmented Prime
| Lesser Submajor Second, Diretroptolemaic Augmented Prime
| Ed>/, E↓↓, Dt#>↓/, D#↑↑, Fb↓
| Ed>/, E↓↓, Dt#>↓/, D#↑↑
| In addition to its properties as a type of Submajor Second, this interval is also one half of a Ptolemaic Minor Third in this system and is thus used accordingly.
| In addition to its properties as a type of Submajor Second, this interval is also one half of a Ptolemaic Minor Third in this system and is thus used accordingly.
|-
|-
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| ?  
| ?  
| 144/119, 165/136
| 144/119, 165/136
| kN3
| kN3, ud4
| Lesser Supraminor Third
| Lesser Supraminor Third, Infra-Diminished Fourth
| Ft>↓, Gdb>
| Ft>↓, Gdb>
| This interval is mainly of interest due to the fact that it's exactly twice the size of it's fourth complement- the approximation of the Undecimal Submajor Second- and its interesting properties as a type of supraminor third.
| This interval is mainly of interest due to the fact that it's exactly twice the size of it's fourth complement- the approximation of the Undecimal Submajor Second- and its interesting properties as a type of supraminor third.
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| [[39/32]]
| [[39/32]]
| [[17/14]]
| [[17/14]]
| KKm3, rn3
| KKm3, rn3, Rud4
| Greater Supraminor Third
| Greater Supraminor Third, Diretroptolemaic Diminished Fourth
| Ft<\, F↑↑, Gb↓↓
| Ft<\, F↑↑, Gdb<↑\, Gb↓↓
| This interval is of interest because not only does it have 13-limit interpretations, but it also has usage as a 17-odd-limit interval, and all while being easily reached by stacking three Ptolemaic Minor Seconds.
| This interval is of interest because not only does it have 13-limit interpretations, but it also has usage as a 17-odd-limit interval, and all while being easily reached by stacking three Ptolemaic Minor Seconds.
|-
|-
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| ?
| ?
| ?
| ?
| n3
| n3, rKud4
| Artoneutral Third
| Artoneutral Third, Lesser Sub-Diminished Fourth
| Ft<
| Ft<, Gdb<↑
| As one of two neutral thirds in this system, this interval is the one that most closely resembles the [[low-complexity JI]] neutral third, and thus, it is frequently used in much the same way as 24edo's own Neutral Third; on top of that, it can be stacked in interesting ways in this system.  
| As one of two neutral thirds in this system, this interval is the one that most closely resembles the [[low-complexity JI]] neutral third, and thus, it is frequently used in much the same way as 24edo's own Neutral Third; on top of that, it can be stacked in interesting ways in this system.  
|-
|-
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| ?
| ?
| ?
| ?
| N3
| N3, sd4, Kud4
| Tendoneutral Third
| Tendoneutral Third, Greater Sub-Diminished Fourth
| Ft>
| Ft>, Gdb>↑
| As one of two neutral seconds in this system, this interval is notable for being one half of a possible generator for this system's superpyth diatonic scale.
| As one of two neutral seconds in this system, this interval is notable for being one half of a possible generator for this system's superpyth diatonic scale.
|-
|-
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| kkM3, RN3
| kkM3, RN3
| Lesser Submajor Third
| Lesser Submajor Third
| Ft>/, F#↓↓, Gb↓
| Ft>/, F#↓↓, Gb↓
| As both the approximation of the octave-reduced thirteenth subharmonic, and ostensibly one of the easiest 13-limit thirds to utilize in chords framed by some type of sharp wolf fifth, this interval is used accordingly.
| As both the approximation of the octave-reduced thirteenth subharmonic, and ostensibly one of the easiest 13-limit thirds to utilize in chords framed by some type of sharp wolf fifth, this interval is used accordingly.
|-
|-