Ivan Wyschnegradsky: Difference between revisions

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His microtonal works are mostly set in [[24edo]] (quarter tones), [[36edo]] (sixth tones), [[48edo]] (eighth tones), [[72edo]] (twelfth tones) and [[96edo]] (sixteenth tones), but he also has a composition in (probably) compressed [[17edo]], possibly equivalent to [[18edo]] (third tones) and another in [[31edo]].

One of his most known works, ''24 Préludes dans tous les tons de l'échelle chromatique diatonisée à 13 sons'', introduces an [[11L 2s]] [[MOS scale]], generated by a circle of "[[major ~~fourth]]s~~" of [[24edo]] (550[[Cent|¢]] ≈ [[11/8]]) and which he treats as a "diatonicized chromatic scale" in reference to the similar structure of the [[5L 2s|diatonic]] scale.

One of his most known works, ''24 Préludes dans tous les tons de l'échelle chromatique diatonisée à 13 sons'', introduces an [[11L 2s]] [[MOS scale]], generated by a circle of "major fourths" of [[24edo]] (550[[Cent|¢]] ≈ [[11/8]]) and which he treats as a "diatonicized chromatic scale" in reference to the similar structure of the [[5L 2s|diatonic]] scale.

He influenced many composers after him, including [[Bruce Mather]].

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 His microtonal works are mostly set in [[24edo]] (quarter tones), [[36edo]] (sixth tones), [[48edo]] (eighth tones), [[72edo]] (twelfth tones) and [[96edo]] (sixteenth tones), but he also has a composition in (probably) compressed [[17edo]], possibly equivalent to [[18edo]] (third tones) and another in [[31edo]].
-One of his most known works, ''24 Préludes dans tous les tons de l'échelle chromatique diatonisée à 13 sons'', introduces an [[11L 2s]] [[MOS scale]], generated by a circle of "[[major fourth]]s" of [[24edo]] (550[[Cent|¢]] ≈ [[11/8]]) and which he treats as a "diatonicized chromatic scale" in reference to the similar structure of the [[5L 2s|diatonic]] scale.
+One of his most known works, ''24 Préludes dans tous les tons de l'échelle chromatique diatonisée à 13 sons'', introduces an [[11L 2s]] [[MOS scale]], generated by a circle of "major fourths" of [[24edo]] (550[[Cent|¢]] ≈ [[11/8]]) and which he treats as a "diatonicized chromatic scale" in reference to the similar structure of the [[5L 2s|diatonic]] scale.
 He influenced many composers after him, including [[Bruce Mather]].