159edo/Interval names and harmonies: Difference between revisions
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| ? | | ? | ||
| 160/153 | | 160/153 | ||
| | | Rkm2, RkkA1 | ||
| | | Wide Subminor Second, Counteroceanic Augmented Prime | ||
| | | Eb↓/, Dt<↑ | ||
| | | This interval acts as a type of Semitone, however, whether it's a diatonic or chromatic semitone depends on the situation. | ||
|- | |- | ||
| 11 | | 11 | ||
| Line 150: | Line 150: | ||
| ? | | ? | ||
| rm2, sA1 | | rm2, sA1 | ||
| Narrow Minor Second, | | Narrow Minor Second, Countertelepathmic Augmented Prime | ||
| Eb\, Dt>↑ | | Eb\, Dt>↑ | ||
| Not only does this interval serve as a type of leading tone, but it should be noted that six of these add up to a Perfect Fourth. | | Not only does this interval serve as a type of leading tone, but it should be noted that six of these add up to a Perfect Fourth. | ||