159edo/Interval names and harmonies: Difference between revisions

Aura (talk | contribs)
No edit summary
Aura (talk | contribs)
No edit summary
Line 79: Line 79:
| um2, RkU1
| um2, RkU1
| Inframinor Second, Wide Superprime
| Inframinor Second, Wide Superprime
| Dt>↓
| Edb>, Dt>↓
| By default, this interval is a type of paradiatonic quartertone and is used in much the same way as 24edo's own Inframinor Second.
| By default, this interval is a type of paradiatonic quartertone and is used in much the same way as 24edo's own Inframinor Second.
|-
|-
Line 91: Line 91:
| Rum2, rU1
| Rum2, rU1
| Wide Inframinor Second, Narrow Ultraprime
| Wide Inframinor Second, Narrow Ultraprime
| Dt<\
| Eb↓↓, Dt<\
| This interval is particularly likely to be used as a cross between an Ultraprime and an Inframinor Second.
| This interval is particularly likely to be used as a cross between an Ultraprime and an Inframinor Second.
|-
|-
Line 115: Line 115:
| sm2, Kum2, RU1
| sm2, Kum2, RU1
| Lesser Subminor Second, Wide Ultraprime
| Lesser Subminor Second, Wide Ultraprime
| Dt>
| Eb↓\, Dt>
| Although this interval can act as a leading tone, it can also act as a trienstone- that is, a third of a tone- since it's one third of the Classic Major Second.
| Although this interval can act as a leading tone, it can also act as a trienstone- that is, a third of a tone- since it's one third of the Ptolemaic Major Second.
|-
|-
| 9
| 9
Line 125: Line 125:
| [[26/25]], [[27/26]]
| [[26/25]], [[27/26]]
| ?
| ?
|
| km2, kkA1
| Diptolemaic Augmented Prime
| Greater Subminor Second, Diptolemaic Augmented Prime
|  
| Eb↓, D#↓↓
|  
| Although this interval frequently acts as the Diptolemaic Chroma, it can also act as a trienstone- that is, a third of a tone- since it's one third of the Pyth Major Second.
|-
|-
| 10
| 10