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Kite Guitar Scales: Difference between revisions

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Yourmusic Productions (talk | contribs)
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Undo revision 79513 by Moremajorthanmajor (talk) Telephone numbers
Tag: Undo
Line 1,261: Line 1,261:
|P8
|P8
|Ivd7 + ^bII^d7
|Ivd7 + ^bII^d7
|[[Tel:4565-4566|4565-4566]]
|4565-4566
| rowspan="2" |6 5 4
| rowspan="2" |6 5 4
L/s = 1.5
L/s = 1.5
Line 1,279: Line 1,279:
|P8
|P8
|I^d7 + vVIIvd7
|I^d7 + vVIIvd7
|[[Tel:5654-5664|5654-5664]]
|5654-5664
|-
|-
! rowspan="2" |"
! rowspan="2" |"
Line 1,293: Line 1,293:
|P8
|P8
|I^d7 + vIIvd7
|I^d7 + vIIvd7
|[[Tel:6545-6546|6545-6546]]
|6545-6546
| rowspan="2" |"
| rowspan="2" |"
| rowspan="2" |"
| rowspan="2" |"
Line 1,309: Line 1,309:
|P8
|P8
|Ivd7 + ^bVII^d7
|Ivd7 + ^bVII^d7
|[[Tel:5456-5466|5456-5466]]
|5456-5466
|-
|-
! rowspan="2" | "
! rowspan="2" | "
Line 1,323: Line 1,323:
|P8
|P8
|I^d7 + ^III^d7
|I^d7 + ^III^d7
|[[Tel:5645-6546|5645-6546]]
|5645-6546
| rowspan="2" |"
| rowspan="2" |"
| rowspan="2" |"
| rowspan="2" |"
Line 1,339: Line 1,339:
|P8
|P8
|I^d7 + vbVI^d7
|I^d7 + vbVI^d7
|[[Tel:5654-6564|5654-6564]]
|5654-6564
|}
|}
===Dodecatonic (twelve-tone) (7L 3m 2s)===
===Dodecatonic (twelve-tone) (7L 3m 2s)===
Line 1,448: Line 1,448:
|vM7
|vM7
|P8
|P8
|[[Tel:544-434-5444|544-434-5444]]
|544-434-5444
| rowspan="2" |5 4 3
| rowspan="2" |5 4 3
L/s = 1.67
L/s = 1.67
Line 1,469: Line 1,469:
|vM7
|vM7
|P8
|P8
|[[Tel:454-443-4544|454-443-4544]]
|454-443-4544
|-
|-
! rowspan="2" | "
! rowspan="2" | "
Line 1,484: Line 1,484:
|vM7
|vM7
|P8
|P8
|[[Tel:344-454-4454|344-454-4454]]
|344-454-4454
| rowspan="2" |"
| rowspan="2" |"
| rowspan="2" |"
| rowspan="2" |"
Line 1,501: Line 1,501:
|~7
|~7
|P8
|P8
|[[Tel:434-445-4445|434-445-4445]]
|434-445-4445
|-
|-
! rowspan="2" |"
! rowspan="2" |"
Line 1,516: Line 1,516:
|vM7
|vM7
|P8
|P8
|[[Tel:454-434-4544|454-434-4544]]
|454-434-4544
| rowspan="2" |"
| rowspan="2" |"
| rowspan="2" |"
| rowspan="2" |"
Line 1,533: Line 1,533:
|vM7
|vM7
|P8
|P8
|[[Tel:434-454-4454|434-454-4454]]
|434-454-4454
|}
|}
The twin downminor down-7 scale works well for the blues. It lacks a M2, so over the V chord, shift the scale so that it's rooted on the 5th. Likewise shift the root to the 4th over the IV chord.
The twin downminor down-7 scale works well for the blues. It lacks a M2, so over the V chord, shift the scale so that it's rooted on the 5th. Likewise shift the root to the 4th over the IV chord.
Line 1,559: Line 1,559:
|vM7
|vM7
|P8
|P8
|[[Tel:544-434-5444|544-434-5444]]
|544-434-5444
| rowspan="3" |5 4 3
| rowspan="3" |5 4 3
L/s = 1.67
L/s = 1.67
Line 1,580: Line 1,580:
|vM7
|vM7
|P8
|P8
|[[Tel:544-45-44434|544-45-44434]]
|544-45-44434
|-
|-
!twin downminor down-7 on V
!twin downminor down-7 on V
Line 1,594: Line 1,594:
|vM7
|vM7
|P8
|P8
|[[Tel:345-444-5444|345-444-5444]]
|345-444-5444
|}
|}


Line 1,631: Line 1,631:
|P8
|P8
|P1 ... m6
|P1 ... m6
|[[Tel:444-3444-344-3|444-3444-344-3]]
|444-3444-344-3
| rowspan="11" | 4 3
| rowspan="11" | 4 3
L/s = 1.33
L/s = 1.33
Line 1,651: Line 1,651:
| P8
| P8
| vm6 ... ~3
| vm6 ... ~3
|[[Tel:444-344-3444-3|444-344-3444-3]]
|444-344-3444-3
|-
|-
!#3
!#3
Line 1,667: Line 1,667:
| P8
| P8
| ^m3 ... M7
| ^m3 ... M7
|[[Tel:44-3444-3444-3|44-3444-3444-3]]
|44-3444-3444-3
|-
|-
!#4
!#4
Line 1,683: Line 1,683:
| P8
| P8
| vM7 ... v5
| vM7 ... v5
|[[Tel:44-3444-344-34|44-3444-344-34]]
|44-3444-344-34
|-
|-
!#5
!#5
Line 1,699: Line 1,699:
|P8
|P8
|~5 ... ^M2
|~5 ... ^M2
|[[Tel:44-344-3444-34|44-344-3444-34]]
|44-344-3444-34
|-
|-
!#6
!#6
Line 1,715: Line 1,715:
|P8
|P8
|M2 ... m7
|M2 ... m7
|[[Tel:4-3444-3444-34|4-3444-3444-34]]
|4-3444-3444-34
|-
|-
!#7
!#7
Line 1,731: Line 1,731:
| P8
| P8
| vm7 ... ~4
| vm7 ... ~4
|[[Tel:4-3444-344-344|4-3444-344-344]]
|4-3444-344-344
|-
|-
!#8
!#8
Line 1,747: Line 1,747:
|P8
|P8
|^4 ... ^m2
|^4 ... ^m2
|[[Tel:4-344-3444-344|4-344-3444-344]]
|4-344-3444-344
|-
|-
!#9
!#9
Line 1,763: Line 1,763:
|P8
|P8
|m2 ... vM6
|m2 ... vM6
|[[Tel:3444-3444-344|3444-3444-344]]
|3444-3444-344
|-
|-
!#10
!#10
Line 1,779: Line 1,779:
|P8
|P8
|~6 ... ^M3
|~6 ... ^M3
|[[Tel:3444-344-3444|3444-344-3444]]
|3444-344-3444
|-
|-
!#11
!#11
Line 1,795: Line 1,795:
|P8
|P8
|M3 ... P1
|M3 ... P1
|[[Tel:344-3444-3444|344-3444-3444]]
|344-3444-3444
|}
|}
The scale completely lacks perfect 4ths and 5ths, giving it a very unusual sound. But it's full of low-odd-limit ratios, so it sounds both alien and harmonious. There are many augmented and diminished chords. Any three adjacent notes on the genchain form Bohlen-Pierce's up-sesquiaug chord P1 ^M3 ^^#5 (aka up-down6-no5 P1 ^M3 vM6), thus every scale has nine such chords. Likewise nine each of that chord's homonyms, up-halfaug (P1 ^M3 ^^5=vm6) and upminor-halfaug (P1 - ^m3 - ^^5=vm6). There are also seven upminor-mid5 chords (P1 ^m3 ~5) and five upminor-down7-mid5 chords (P1 ^m3 ~5 vm7).
The scale completely lacks perfect 4ths and 5ths, giving it a very unusual sound. But it's full of low-odd-limit ratios, so it sounds both alien and harmonious. There are many augmented and diminished chords. Any three adjacent notes on the genchain form Bohlen-Pierce's up-sesquiaug chord P1 ^M3 ^^#5 (aka up-down6-no5 P1 ^M3 vM6), thus every scale has nine such chords. Likewise nine each of that chord's homonyms, up-halfaug (P1 ^M3 ^^5=vm6) and upminor-halfaug (P1 - ^m3 - ^^5=vm6). There are also seven upminor-mid5 chords (P1 ^m3 ~5) and five upminor-down7-mid5 chords (P1 ^m3 ~5 vm7).
Line 1,889: Line 1,889:
|^M7
|^M7
|P8
|P8
|[[Tel:2272-227-222272|2272-227-222272]]
|2272-227-222272
|7 2, L/s = 3.5
|7 2, L/s = 3.5
|3L 10s
|3L 10s
Line 1,908: Line 1,908:
!L & s
!L & s
!moves
!moves
! colspan="2" |notes
!notes
|-
|-
| rowspan="3" |Tritriyo
|Tritriyo
| rowspan="3" |(P8, ccP4/9)
|(P8, ccP4/9)
| rowspan="3" |11\41
|11\41
| rowspan="3" |^m3
|^m3
|7 = 4L 3s
|7 = 4L 3s
|8 3
|8 3
| +4, -5
| +4, -5
| no perfect 4ths or 5ths
| no perfect 4ths or 5ths
|
|-
|11 = 4L 7s
|5 3
| +2+, -5
|Demands shift one string up
|
|-
|15 = 11L 4s
|3 2
| +1, -5
|fretwise scale
|
|-
|-
| rowspan="5" |Laquinyo
| rowspan="5" |Laquinyo
Line 1,938: Line 1,925:
|7 = 3L 4s
|7 = 3L 4s
|11 2
|11 2
| +1, -1
| +1, -1
| rowspan="5" |fretwise scales
| rowspan="5" |fretwise scales
|
|-
|-
| 10 = 3L 7s
| 10 = 3L 7s
|9 2
|9 2
| +1, -2
| +1, -2
|
|-
|-
| 13 = 3L 10s
| 13 = 3L 10s
|7 2
|7 2
| +1, -3
| +1, -3
|
|-
|-
| 16 = 3L 13s
| 16 = 3L 13s
|5 2
|5 2
| +1, -4
| +1, -4
|
|-
|-
| 19 = 3L 16s
| 19 = 3L 16s
|3 2
|3 2
| +1, -5
| +1, -5
|
|-
|-
| rowspan="3" |Checkerboard
| rowspan="3" |Checkerboard
Line 1,968: Line 1,950:
|5 = 3L 2s
|5 = 3L 2s
|11 4
|11 4
| +2, -1
| +2, -1
| rowspan="3" | no perfect 4ths or 5ths
| rowspan="3" | no perfect 4ths or 5ths
|
|-
|-
|8 = 3L 5s
|8 = 3L 5s
|7 4
|7 4
| +2, -3
| +2, -3
|
|-
|-
| 11 = 8L 3s
| 11 = 8L 3s
|4 3
|4 3
| +2, -5
| +2, -5
|
|-
|-
| rowspan="3" |Pythagorean
|Pythagorean
| rowspan="3" |(P8, P5)
|(P8, P5)
| rowspan="3" |17\41
|17\41
| rowspan="3" | P4
| P4
|5 = 2L 3s
|5 = 2L 3s
|10 7
|10 7
| +5, -3
| +5, -3
| rowspan="3" |very close to 12-edo
|very close to 12-edo
|
|-
|7 = 5L 2s
|7 3
| +3+, -4
|Demands shift one string up
|-
|12 = 5L 7s
|4 3
| +2, -5
|
|}
|}


[[Category:Kite Guitar]]
[[Category:Kite Guitar]]
Retrieved from "https://en.xen.wiki/w/Kite_Guitar_Scales"