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20th root of 5 "Hieronymus' Tuning"
'''[[Ed5|Division of the 5th harmonic]] into 20 equal parts''' (20ED5) is known as '''Hieronymus' Tuning'''. The step size is about 139.3157 cents, corresponding to 8.6135 [[EDO]].


A [[Harmonic_Entropy|harmonic entropy]] minimum, that has better approximations of a variety of [[just_interval|just interval]]s than [[Bohlen_Pierce|Bohlen Pierce]] (of course, not the same intervals) among which are <span style="">13/12, 7/6, 14/11, 11/8, 3/2, 13/8, 7/4, 21/11, 33/32, ~9/4, 39/32, 21/16, 10/7, 20/13, 10/3 ... etc. In terms of strict 5/1 equivalence and high-limit harmony, it also approximates the harmonics and their pentave reductions: ‎8, 12 (or 61), 23, 27, 32, 44, 48, 52, 56, 66, 71, 77, etc. within 20 cents. Note that there are (at most) ~4.3 pentaves within [[human_hearing_range|human hearing range]]; imagine if that were the case with octaves (yes that is a helpful analogy).</span>
A [[Harmonic_Entropy|harmonic entropy]] minimum, that has better approximations of a variety of [[just_interval|just interval]]s than [[Bohlen Pierce]] (of course, not the same intervals) among which are 13/12, 7/6, 14/11, 11/8, 3/2, 13/8, 7/4, 21/11, 33/32, ~9/4, 39/32, 21/16, 10/7, 20/13, 10/3 ... etc. In terms of strict 5/1 equivalence and high-limit harmony, it also approximates the harmonics and their pentave reductions: ‎8, 12 (or 61), 23, 27, 32, 44, 48, 52, 56, 66, 71, 77, etc. within 20 cents. Note that there are (at most) ~4.3 pentaves within [[human_hearing_range|human hearing range]]; imagine if that were the case with octaves (yes that is a helpful analogy).


<span style="">One way of looking at it comes by constructing it via four tempered 3/2</span> ([[Meantone|meantone]] without octaves) <span style="">each of which is divided</span> into five tones, which in turn approximate 11/8 13/8 7/6 etc., and themselves end up on the "pentave", 5/1, wherein the scale repeats itself. By analogy to common practice, this is familiar extended meantone but ''turned entirely inside-out''. Interestingly, while Hieronymus does not repeat at the octave or even approximate it well, factors of 2 are nevertheless important to its perception and structure; it might even be helpful to think of the 3/2 intervals as a cellular structure of sorts.
One way of looking at it comes by constructing it via four tempered 3/2 ([[Meantone|meantone]] without octaves) each of which is divided into five tones, which in turn approximate 11/8, 13/8, 7/6 etc., and themselves end up on the "pentave", 5/1, wherein the scale repeats itself. By analogy to common practice, this is familiar extended meantone but ''turned entirely inside-out''. Interestingly, while Hieronymus does not repeat at the octave or even approximate it well, factors of 2 are nevertheless important to its perception and structure; it might even be helpful to think of the 3/2 intervals as a cellular structure of sorts.


Adding octaves makes it [[Meantone_family#Jerome|jerome temperament]], with generator a meantone fifth divided in five, and Hieronymus is the generator chain of that. Jerome/Hieronymus only really comes into its own as a higher limit temperament, as a 13, or even higher limit system. It is related to [[43edo]], and 5\43 can be used as a generator.
Adding octaves makes it [[Meantone_family#Jerome|jerome temperament]], with generator a meantone fifth divided in five, and Hieronymus is the generator chain of that. Jerome/Hieronymus only really comes into its own as a higher limit temperament, as a 13, or even higher limit system. It is related to [[43edo|43EDO]], and 5\43 can be used as a generator.
 
{| class="wikitable"
|-
! | degree
! | cents value
! | corresponding <br>JI intervals
! | comments
|-
| | 0
| | 0.0000
| | '''exact [[1/1]]'''
| |
|-
| | 1
| | 139.3157
| | [[13/12]]
| |
|-
| | 2
| | 278.6314
| | [[20/17]], 27/23
| |
|-
| | 3
| | 417.9471
| | [[14/11]]
| |
|-
| | 4
| | 557.2627
| | 29/21, 40/29
| |
|-
| | 5
| | 696.5784
| |
| | meantone fifth
|-
| | 6
| | 835.8941
| | [[13/8]], [[34/21]]
| |
|-
| | 7
| | 975.2098
| | 58/33, 65/37, 72/41
| |
|-
| | 8
| | 1114.5255
| | [[40/21]]
| |
|-
| | 9
| | 1253.8412
| | [[33/32|33/16]]
| |
|-
| | 10
| | 1393.1569
| | [[19/17|38/17]], 85/38
| | meantone major second plus an octave
|-
| | 11
| | 1532.4725
| | [[40/33|80/33]]
| |
|-
| | 12
| | 1671.7882
| | [[21/16|21/8]]
| |
|-
| | 13
| | 1811.1039
| | 37/13
| |
|-
| | 14
| | 1950.4196
| | [[17/11|34/11]], 37/12, [[20/13|40/13]]
| |
|-
| | 15
| | 2089.7353
| |
| | meantone major sixth plus an octave
|-
| | 16
| | 2229.0510
| | [[29/16|29/8]]
| |
|-
| | 17
| | 2368.3667
| | 55/14
| |
|-
| | 18
| | 2507.6823
| | [[17/16|17/4]]
| |
|-
| | 19
| | 2646.9980
| | [[15/13|60/13]]
| |
|-
| | 20
| | 2786.3137
| | '''exact [[5/1]]'''
| | just major third plus two octaves
|}


[[Category:Ed5]]
[[Category:Ed5]]