Talk:Kite Guitar Exercises and Techniques by Kite Giedraitis: Difference between revisions
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::: But yeah, I didn't catch that just listening casually. Anything in 12edo with only diatonic major and minor triads inevitably sounds pretty normal. It might be interesting to do this with a famous song like Pachobel's canon. Or maybe have a B part of SIC that goes C F C G etc. | ::: But yeah, I didn't catch that just listening casually. Anything in 12edo with only diatonic major and minor triads inevitably sounds pretty normal. It might be interesting to do this with a famous song like Pachobel's canon. Or maybe have a B part of SIC that goes C F C G etc. | ||
::: I'm curious how you recorded FOAD if not with midi? --[[User:TallKite|TallKite]] ([[User talk:TallKite|talk]]) 20:44, 16 April 2021 (UTC) | ::: I'm curious how you recorded FOAD if not with midi? --[[User:TallKite|TallKite]] ([[User talk:TallKite|talk]]) 20:44, 16 April 2021 (UTC) | ||
:::: Hmm, writing a second Study in Contramajor might indeed show off more of what Treble-Down Tonality is capable of. That said, it seems I must do something to reinforce that C is the actual tonic of C contramajor, despite it having a key signature identical to F Minor. Perhaps I should even showcase how F minor actually differs from C contramajor in terms of chord progression behavior. | |||
:::: As for how I recorded "Folly of a Drunk", I simply entered the notes into the composition software itself using a desktop computer, tuned the notes and added the accidentals manually, and used the export function of the software to produce the audio. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 02:34, 17 April 2021 (UTC) | |||