2L 5s: Difference between revisions
→Scale tree: general improvement |
Should go for symmetric mode by default (it has a symmetric and the least tuning deviation from 12edo A440) |
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| Line 7: | Line 7: | ||
| Equalized = 3 | | Equalized = 3 | ||
| Paucitonic = 1 | | Paucitonic = 1 | ||
| Pattern = | | Pattern = sLsssLs | ||
| Neutral = 4L 3s | | Neutral = 4L 3s | ||
}} | }} | ||
| Line 14: | Line 14: | ||
While antidiatonic is closely associated with [[mavila]], not every 2L 5s scale is an instance of "mavila", since some of them extend to [[2L 7s]] scales (like the 2L 5s generated by 11edo's 6\11 = 656.5657¢), not [[7L 2s]] mavila superdiatonic scales. | While antidiatonic is closely associated with [[mavila]], not every 2L 5s scale is an instance of "mavila", since some of them extend to [[2L 7s]] scales (like the 2L 5s generated by 11edo's 6\11 = 656.5657¢), not [[7L 2s]] mavila superdiatonic scales. | ||
== Notation == | == Notation == | ||
Diamond MOS notation, &/@ = raise and lower by one chroma. We'll write this using | Diamond MOS notation, &/@ = raise and lower by one chroma. We'll write this using DEFGABCD (D Antidorian, sLsssLs); D = 293.665 Hz. The chain of mavila fifths becomes … E& B& F C G D A E B F@ C@ … Note that 7 fifths up ''flattens'' a note by a chroma, rather than sharpening it as in diatonic ([[5L 2s]]). | ||
== Scale tree == | == Scale tree == | ||