FloraC
Joined 30 March 2020
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::: I checked the file and it turns out an asterisk is missing for jiázhōng and zhònglǚ. I tried fixing it (see your pull request). For musicians, the words are nothing but note names like ABCDEFG. Yet still, it's not really different from Pythagorean tuning if you don't apply the octave stretch. [[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 16:02, 21 February 2021 (UTC) | ::: I checked the file and it turns out an asterisk is missing for jiázhōng and zhònglǚ. I tried fixing it (see your pull request). For musicians, the words are nothing but note names like ABCDEFG. Yet still, it's not really different from Pythagorean tuning if you don't apply the octave stretch. [[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 16:02, 21 February 2021 (UTC) | ||
:::: You are right. I've fixed it and pushed the code. Thank you for your help! | |||
:::: My impression of this system is: the goal was the equidistant tone arrangement, without any concerns of better harmony. Even obvious perfect 4th 4/3 is 3**11/2**17 there. To me, it looks like if the system was changed to 12-EDO even for traditional music, it would lose nothing. What do you think? — [[User:SAKryukov|SA]], ''Sunday 2021 February 21, 16:42 UTC'' | |||