Talk:Kite Guitar Exercises and Techniques by Kite Giedraitis: Difference between revisions

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	::: Now, everyone knows about Major and Minor from Bass-Up Tonality, but in Treble-Down Tonality, their counterparts are Antimajor and Antiminor respectively. Just wait until we get into the Treble-Down Diatonic Modes- if there are 35 Bass-Up Diatonic Modes due to different tunings, there are also 35 Treble-Down Diatonic modes for exactly the same reason, making 70 diatonic modes in all, and that's just the variants generated by my kind of tuning. --[[User:Aura\|Aura]] ([[User talk:Aura\|talk]]) 08:32, 24 December 2020 (UTC)		::: Now, everyone knows about Major and Minor from Bass-Up Tonality, but in Treble-Down Tonality, their counterparts are Antimajor and Antiminor respectively. Just wait until we get into the Treble-Down Diatonic Modes- if there are 35 Bass-Up Diatonic Modes due to different tunings, there are also 35 Treble-Down Diatonic modes for exactly the same reason, making 70 diatonic modes in all, and that's just the variants generated by my kind of tuning. --[[User:Aura\|Aura]] ([[User talk:Aura\|talk]]) 08:32, 24 December 2020 (UTC)

			::: Bad news... I don't think I'll manage to get Treble-Down Tonality in "Welcome to Dystopia" as it doesn't fit the aesthetic of that song, though I do think I can try again with another song. On the flipside, I do think I can finally show off what a good chain of patent 11/8 modulations sounds like. -[[User:Aura\|Aura]] ([[User talk:Aura\|talk]]) 23:14, 29 January 2021 (UTC)