The wedgie: Difference between revisions
lemma itself should not link to another article as if it wasn't described here. The same article Wedgies and Multivals is already linked in the next line |
m →Proof |
||
Line 25: | Line 25: | ||
The period ''p'' (fraction of octave) and generator ''g'' form a basis for all the intervals of a rank-2 temperament. For example, p = 2/1 and g = 3/2 form a basis for meantone. But from a linear algebra perspective, there's nothing special about the basis {p, g}; I could have chosen the basis p' = 3/1 and g' = 2/1. What makes the wedgie a unique identifier for a temperament is that rather than specify a basis directly, the wedgie acts more like a set of constraints that any basis for the temperament must satisfy. | The period ''p'' (fraction of octave) and generator ''g'' form a basis for all the intervals of a rank-2 temperament. For example, p = 2/1 and g = 3/2 form a basis for meantone. But from a linear algebra perspective, there's nothing special about the basis {p, g}; I could have chosen the basis p' = 3/1 and g' = 2/1. What makes the wedgie a unique identifier for a temperament is that rather than specify a basis directly, the wedgie acts more like a set of constraints that any basis for the temperament must satisfy. | ||
In the language of linear algebra, the wedgie is an "alternating bilinear form" on the appropriate JI group M; this means that it acts like the operation of finding the determinant of two vectors on the appropriate quotient group M' = M/K of M, where K is the kernel of the biliear form W. Using the fact that W = a&b where a and b are two edos (properly, rank-1 [[val]]s), you can verify that K is exactly the kernel of the rank-2 temperament, and | In the language of linear algebra, the wedgie is an "alternating bilinear form" on the appropriate JI group M; this means that it acts like the operation of finding the determinant of two vectors on the appropriate quotient group M' = M/K of M, where K is the kernel of the biliear form W. Using the fact that W = a&b where a and b are two edos (properly, rank-1 [[val]]s), you can verify that K is exactly the kernel of the rank-2 temperament: | ||
Let K1 = the kernel of the temperament (i.e. the set of commas tempered out by the temperament), and K2 = ker W = {v ∈ M : W(v, w) = 0 ∀w ∈ M}. If v ∈ K1, then v is tempered out by both a and b, so W(v, w) = a(v)b(w)-a(w)b(v) = 0, and v ∈ K2. Conversely, if v ∈ K2, then W(v, w) = a(v)b(w)-a(w)b(v) = 0 for all w, which implies a(v)b(w) = a(w)b(v) (*) for all w. Since a and b both have a kernel of dimension 3 but a&b (the intersection of the kernels) has dimension 2, we can choose w such that a(w) = 0 but b(w) ≠ 0. Then (*) shows a(v) = 0. By the same argument, b(v) = 0. So v is in K1 and K1 = K2, as claimed. | |||
By the First Isomorphism Theorem it follows that M' is the group of intervals in the rank-2 temperament in question. | |||
[In geometric terms, given JI ratios u and v, and wedgie W, the number W(u,v) is the signed area of the parallelogram spanned by (tempered versions of) u and v. The entries of the wedgie give the values of the wedgie on the basis elements of the JI subgroup that the temperament is on. By the alternating property [i.e. W(u, v) = -W(v, u)] and bilinearity [W is linear in each argument separately], specifying the values on basis elements of the JI subgroup is enough to define W as an alternating bilinear form on all of the JI subgroup. This is the determinant of the tempered versions of u and v.] | |||
[The musical interpretation of the parallelogram spanned by u and v is: If you want to consider intervals that are multiples of u apart the same note (for example, if you want an octave-equivalent scale), W(u, v) tells you how many generators it take to get to v.] | [The musical interpretation of the parallelogram spanned by u and v is: If you want to consider intervals that are multiples of u apart the same note (for example, if you want an octave-equivalent scale), W(u, v) tells you how many generators it take to get to v.] |