User talk:Xenwolf: Difference between revisions

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::: Well, there are some passages where I found the sound not better. I'll give the details later. --[[User:Xenwolf|Xenwolf]] ([[User talk:Xenwolf|talk]]) 09:01, 22 October 2020 (UTC)

:::: If you're talking about the parts where I used the grave fifth, well, I have to say that the dissonance of the grave fifth is actually a way of bringing out the functions of a VI ~~minor~~ chord, as ending the phrase with a dissonant grave fifth really seems to hit home that "we're not done yet". I mean, isn't that kind of the point of a deceptive cadence anyway? --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 09:22, 22 October 2020 (UTC)

:::: If you're talking about the parts where I used the grave fifth, well, I have to say that the dissonance of the grave fifth is actually a way of bringing out the functions of a Minor VI chord in Major, as ending the phrase with a dissonant grave fifth really seems to hit home that "we're not done yet". I mean, isn't that kind of the point of a deceptive cadence anyway? --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 09:22, 22 October 2020 (UTC)

:::: On a similar note, dissonance of the fifth on the Major III chord in Minor is a way of preventing the tonicization of that chord as well as giving it more propulsive force. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 09:28, 22 October 2020 (UTC)

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 ::: Well, there are some passages where I found the sound not better. I'll give the details later. --[[User:Xenwolf|Xenwolf]] ([[User talk:Xenwolf|talk]]) 09:01, 22 October 2020 (UTC)
-:::: If you're talking about the parts where I used the grave fifth, well, I have to say that the dissonance of the grave fifth is actually a way of bringing out the functions of a VI minor chord, as ending the phrase with a dissonant grave fifth really seems to hit home that "we're not done yet".  I mean, isn't that kind of the point of a deceptive cadence anyway? --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 09:22, 22 October 2020 (UTC)
+:::: If you're talking about the parts where I used the grave fifth, well, I have to say that the dissonance of the grave fifth is actually a way of bringing out the functions of a Minor VI chord in Major, as ending the phrase with a dissonant grave fifth really seems to hit home that "we're not done yet".  I mean, isn't that kind of the point of a deceptive cadence anyway? --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 09:22, 22 October 2020 (UTC)
+:::: On a similar note, dissonance of the fifth on the Major III chord in Minor is a way of preventing the tonicization of that chord as well as giving it more propulsive force. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 09:28, 22 October 2020 (UTC)