CritDeathX
Joined 9 February 2020
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:::::::::::: Good catch! Still, we need to figure out our separate methods for otonal and utonal intervals... Perhaps once we get Treble-down tonality sorted out, we'll have more space to work with... --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 20:17, 12 September 2020 (UTC) | :::::::::::: Good catch! Still, we need to figure out our separate methods for otonal and utonal intervals... Perhaps once we get Treble-down tonality sorted out, we'll have more space to work with... --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 20:17, 12 September 2020 (UTC) | ||
:::::::::::: One thing I know right off the bat in this realm is that the harmonic properties of a 10:12:15 Minor chord are a match for the subharmonic properties of a 4:5:6 Major chord. This is because a 10:12:15 minor chord has the same configuration as a 1/4:1/5:1/6 Antimajor chord- Antimajor being the treble-down counterpart to Major. | :::::::::::: One thing I know right off the bat in this realm is that the harmonic properties of a 10:12:15 Minor chord are a match for the subharmonic properties of a 4:5:6 Major chord. This is because a 10:12:15 minor chord has the same configuration as a 1/4:1/5:1/6 Antimajor chord- Antimajor being the treble-down counterpart to Major. (preceeding unsigned comment by [[User:Aura|Aura]] ([[User talk:Aura|talk]])) | ||