User talk:CritDeathX: Difference between revisions

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:::::::::: 7/6 - 7-6 = 1 (1/6), 7+6 = 13 (13/6)

:::::::::: 12/7 - 12-7 = 5 (12/5), 12+7 = 19 (19/7)

:::::::::: 12/7 - 12-7 = 5 (5/7), 12+7 = 19 (19/7)

:::::::::: As for what you're saying... The reason I say that otonal intervals and utonal intervals ultimately have the same type of tonality has everything to do with the fact that the overtone series and the undertone series are mirror images of one another. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 19:32, 12 September 2020 (UTC)

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::::::::::: So that means we need to figure out a separate method for otonal & utonal notes. Interesting. --[[User:CritDeathX|CritDeathX]] ([[User talk:CritDeathX|talk]]) 19:55, 12 September 2020 (UTC)

::::::::::: Wait, I noticed that you typed 12/5 instead of 5/7. --[[User:CritDeathX|CritDeathX]] ([[User talk:CritDeathX|talk]]) 19:59, 12 September 2020 (UTC)

:::::::::::: Good catch! Still, we need to figure out our separate methods for otonal and utonal intervals... Perhaps once we get Treble-down tonality sorted out, we'll have more space to work with... --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 20:17, 12 September 2020 (UTC)

:::::::::::: One thing I know right off the bat in this realm is that the harmonic properties of a 10:12:15 Minor chord are a match for the subharmonic properties of a 4:5:6 Major chord. This is because a 10:12:15 minor chord has the same configuration as a 1/4:1/5:1/6 Antimajor chord- Antimajor being the treble-down counterpart to Major.

@@ Line 225: / Line 225: @@
 :::::::::: 7/6 - 7-6 = 1 (1/6), 7+6 = 13 (13/6)
-:::::::::: 12/7 - 12-7 = 5 (12/5), 12+7 = 19 (19/7)
+:::::::::: 12/7 - 12-7 = 5 (5/7), 12+7 = 19 (19/7)
 :::::::::: As for what you're saying...  The reason I say that otonal intervals and utonal intervals ultimately have the same type of tonality has everything to do with the fact that the overtone series and the undertone series are mirror images of one another. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 19:32, 12 September 2020 (UTC)
@@ Line 235: / Line 235: @@
 ::::::::::: So that means we need to figure out a separate method for otonal & utonal notes. Interesting. --[[User:CritDeathX|CritDeathX]] ([[User talk:CritDeathX|talk]]) 19:55, 12 September 2020 (UTC)
 ::::::::::: Wait, I noticed that you typed 12/5 instead of 5/7. --[[User:CritDeathX|CritDeathX]] ([[User talk:CritDeathX|talk]]) 19:59, 12 September 2020 (UTC)
+:::::::::::: Good catch!  Still, we need to figure out our separate methods for otonal and utonal intervals...  Perhaps once we get Treble-down tonality sorted out, we'll have more space to work with... --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 20:17, 12 September 2020 (UTC)
+:::::::::::: One thing I know right off the bat in this realm is that the harmonic properties of a 10:12:15 Minor chord are a match for the subharmonic properties of a 4:5:6 Major chord.  This is because a 10:12:15 minor chord has the same configuration as a 1/4:1/5:1/6 Antimajor chord- Antimajor being the treble-down counterpart to Major.