CritDeathX
Joined 9 February 2020
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::: Yeah, that makes sense. I'd like to mention that comparing the intervals here to how you've described them, it seems that ones that hold more tonal opportunity are ones where the linear tones aren't powers of 2; it explains why 8/5 has a better "effect of fostering a stronger sense of tonality," as you've said, than 5/3, where its linear tones are only powers of 2. --[[User:CritDeathX|CritDeathX]] ([[User talk:CritDeathX|talk]]) 18:31, 12 September 2020 (UTC) | ::: Yeah, that makes sense. I'd like to mention that comparing the intervals here to how you've described them, it seems that ones that hold more tonal opportunity are ones where the linear tones aren't powers of 2; it explains why 8/5 has a better "effect of fostering a stronger sense of tonality," as you've said, than 5/3, where its linear tones are only powers of 2. --[[User:CritDeathX|CritDeathX]] ([[User talk:CritDeathX|talk]]) 18:31, 12 September 2020 (UTC) | ||
:::: Hmm... let's try other intervals, such as 2/1 (perfect consonance), 6/5 (imperfect consonance), 5/4 (perfect consonance), 4/3 (perfect consonance), 16/11 (imperfect dissonance), 24/17 (perfect dissonance), 15/8 (imperfect dissonance), and 16/15 (imperfect dissonance)... --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 18:41, 12 September 2020 (UTC) | |||