User talk:Xenwolf: Difference between revisions

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== Diatonic Functions of Xenharmonic Intervals ==

Okay, so one thing I'm interested in is covering the diatonic functions of notes at various intervals' distance away from the tonic- you know, for microtonal composers who still want to work with tonality- I honestly think pages like 3/2 and 4/3 could benefit from having information on things like this. On another note, do we have information on the thirty-five 12edo proper modes? Pages documenting these modes would serve to gather alternative tunings for these scales and modes into one place. For the record, I know that in my own microtonal composing, I tend not to go very far from my 12edo roots for reasons details in [[~~https://en.xen.wiki/w/A_recovering_microtonalist%27s_critical_reaction_to_Why_Microtonality~~]], yet, I also can't help but agree with Mike S in his comments on [[~~https://en.xen.wiki/w/Microtonalists_critical_reaction_to_a_recovering_microtonalists_critical_reaction_to_Why_Microtonaltiy%3F~~]] on 7-limit and 11-limit being important- in fact, I would add the 13-limit to his list. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 16:11, 5 September 2020 (UTC)

Okay, so one thing I'm interested in is covering the diatonic functions of notes at various intervals' distance away from the tonic- you know, for microtonal composers who still want to work with tonality- I honestly think pages like 3/2 and 4/3 could benefit from having information on things like this. On another note, do we have information on the thirty-five 12edo proper modes? Pages documenting these modes would serve to gather alternative tunings for these scales and modes into one place. For the record, I know that in my own microtonal composing, I tend not to go very far from my 12edo roots for reasons details in [[A recovering microtonalist's critical reaction to Why Microtonality]], yet, I also can't help but agree with Mike S in his comments in [[Microtonalists critical reaction to a recovering microtonalists critical reaction to Why Microtonaltiy?]] on 7-limit and 11-limit being important- in fact, I would add the 13-limit to his list. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 16:11, 5 September 2020 (UTC)

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	== Diatonic Functions of Xenharmonic Intervals ==		== Diatonic Functions of Xenharmonic Intervals ==

	Okay, so one thing I'm interested in is covering the diatonic functions of notes at various intervals' distance away from the tonic- you know, for microtonal composers who still want to work with tonality- I honestly think pages like 3/2 and 4/3 could benefit from having information on things like this. On another note, do we have information on the thirty-five 12edo proper modes? Pages documenting these modes would serve to gather alternative tunings for these scales and modes into one place. For the record, I know that in my own microtonal composing, I tend not to go very far from my 12edo roots for reasons details in [[~~https://en.xen.wiki/w/A_recovering_microtonalist%27s_critical_reaction_to_Why_Microtonality~~]], yet, I also can't help but agree with Mike S in his comments on [[~~https://en.xen.wiki/w/Microtonalists_critical_reaction_to_a_recovering_microtonalists_critical_reaction_to_Why_Microtonaltiy%3F~~]] on 7-limit and 11-limit being important- in fact, I would add the 13-limit to his list. --[[User:Aura\|Aura]] ([[User talk:Aura\|talk]]) 16:11, 5 September 2020 (UTC)		Okay, so one thing I'm interested in is covering the diatonic functions of notes at various intervals' distance away from the tonic- you know, for microtonal composers who still want to work with tonality- I honestly think pages like 3/2 and 4/3 could benefit from having information on things like this. On another note, do we have information on the thirty-five 12edo proper modes? Pages documenting these modes would serve to gather alternative tunings for these scales and modes into one place. For the record, I know that in my own microtonal composing, I tend not to go very far from my 12edo roots for reasons details in [[A recovering microtonalist's critical reaction to Why Microtonality]], yet, I also can't help but agree with Mike S in his comments in [[Microtonalists critical reaction to a recovering microtonalists critical reaction to Why Microtonaltiy?]] on 7-limit and 11-limit being important- in fact, I would add the 13-limit to his list. --[[User:Aura\|Aura]] ([[User talk:Aura\|talk]]) 16:11, 5 September 2020 (UTC)