5edo: Difference between revisions
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For any musician, there is no substitute for the experience of a particular xenharmonic sound. The user going by the name Hyacinth on Wikipedia and Wikimedia Commons has many xenharmonic MIDI's and has graciously copylefted them! This is his 5-edo scale MIDI: | For any musician, there is no substitute for the experience of a particular xenharmonic sound. The user going by the name Hyacinth on Wikipedia and Wikimedia Commons has many xenharmonic MIDI's and has graciously copylefted them! This is his 5-edo scale MIDI: | ||
* | * http://commons.wikimedia.org/wiki/File:5-tet_scale_on_C.mid | ||
=== Intervals in 5-edo === | === Intervals in 5-edo === | ||
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{| class="wikitable" | {| class="wikitable" | ||
|- | |- | ||
! degrees | ! rowspan="2" | degrees | ||
! size <br/> in | ! colspan="3" | size <br /> in | ||
! Closest diatonic <br/> interval name | ! rowspan="2" | Closest diatonic <br /> interval name | ||
! The "neighborhood" of just intervals | ! rowspan="2" | The "neighborhood" of just intervals | ||
|- | |||
![[cent|cents]] | |||
!pions | |||
!7mus | |||
|- | |- | ||
| style="text-align:center;" | 0 | | style="text-align:center;" | 0 | ||
| style="text-align:center;" | 0 | | colspan="3" style="text-align:center;" | 0 | ||
| style="text-align:center;" | unison / prime | | style="text-align:center;" | unison / prime | ||
| exactly 1/1 | | exactly 1/1 | ||
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| style="text-align:center;" | 1 | | style="text-align:center;" | 1 | ||
| style="text-align:center;" | 240 | | style="text-align:center;" | 240 | ||
|254.4 | |||
|307.2 (133.3<sub>16</sub>) | |||
| style="text-align:center;" | second, third | | style="text-align:center;" | second, third | ||
| +8.826¢ from septimal second [[8/7|8/7]] | | +8.826¢ from septimal second [[8/7|8/7]] | ||
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| style="text-align:center;" | 2 | | style="text-align:center;" | 2 | ||
| style="text-align:center;" | 480 | | style="text-align:center;" | 480 | ||
|508.8 | |||
|614.4 (266.6<sub>16</sub>) | |||
| style="text-align:center;" | fourth | | style="text-align:center;" | fourth | ||
| +9.219¢ from narrow fourth [[21/16|21/16]] | | +9.219¢ from narrow fourth [[21/16|21/16]] | ||
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| style="text-align:center;" | 3 | | style="text-align:center;" | 3 | ||
| style="text-align:center;" | 720 | | style="text-align:center;" | 720 | ||
|763.2 | |||
|921.6 (399.A<sub>16</sub>) | |||
| style="text-align:center;" | fifth | | style="text-align:center;" | fifth | ||
| +18.045¢ from just fifth [[3/2|3/2]] | | +18.045¢ from just fifth [[3/2|3/2]] | ||
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| style="text-align:center;" | 4 | | style="text-align:center;" | 4 | ||
| style="text-align:center;" | 960 | | style="text-align:center;" | 960 | ||
|1017.6 | |||
|1228.8 (4CC.D<sub>16</sub>) | |||
| style="text-align:center;" | sixth, seventh | | style="text-align:center;" | sixth, seventh | ||
| 26.871¢ from septimal major sixth [[12/7|12/7]] | | 26.871¢ from septimal major sixth [[12/7|12/7]] | ||
| Line 77: | Line 89: | ||
| style="text-align:center;" | 5 | | style="text-align:center;" | 5 | ||
| style="text-align:center;" | 1200 | | style="text-align:center;" | 1200 | ||
|1272 | |||
|1536 (600<sub>16</sub>) | |||
| style="text-align:center;" | octave / eighth | | style="text-align:center;" | octave / eighth | ||
| exactly 2/1 | | exactly 2/1 | ||
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* [[Hans_Straub|Hans Straub]]: [http://home.datacomm.ch/straub/mamuth/5tet_e.html#asimchomsaia Asîmchômsaia] [http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Straub/asimchomsaia.mp3 play] | * [[Hans_Straub|Hans Straub]]: [http://home.datacomm.ch/straub/mamuth/5tet_e.html#asimchomsaia Asîmchômsaia] [http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Straub/asimchomsaia.mp3 play] | ||
* [[Brian_Wong|Brian Wong]]: [http://bwong.ca/template1.php?sub=3 Slendronica#1b] [http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Wong/Slendronica1b.ogg play] | * [[Brian_Wong|Brian Wong]]: [http://bwong.ca/template1.php?sub=3 Slendronica#1b] [http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Wong/Slendronica1b.ogg play] | ||
* Brian McLaren: various and sundry | * Brian McLaren: various and sundry<li>Paul Rubenstein: various, with electric guitars in 10- and 15-edo</li><li>X.J.Scott: ''Sleeping Through It All'' (2004) | ||
* Bill Sethares: ''5-tet funk'' (2004), ''Pentacle'' (2004) | * Bill Sethares: ''5-tet funk'' (2004), ''Pentacle'' (2004) | ||
* "Cenobyte" Ukulele | * "Cenobyte" Ukulele http://www.youtube.com/watch?v=UKUCRnEJKKU | ||
* "[http://www.jamendo.com/en/list/a104474/true-island-5-equal-divisions-of-the-octave-ukulele True Island]" (album) by Small Scale Revolution (2011) | * "[http://www.jamendo.com/en/list/a104474/true-island-5-equal-divisions-of-the-octave-ukulele True Island]" (album) by Small Scale Revolution (2011) | ||
* Ralph Jarzombek: [http://webzoom.freewebs.com/ralphjarzombek/micro12.mp3 Micro12] | * Ralph Jarzombek: [http://webzoom.freewebs.com/ralphjarzombek/micro12.mp3 Micro12] | ||