Talk:70:90:105:126: Difference between revisions
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:::::::: > IMO the significance of a subharmonic chord should be determined not by whether it's commatically close to a harmonic chord, but by its consonance. | :::::::: > IMO the significance of a subharmonic chord should be determined not by whether it's commatically close to a harmonic chord, but by its consonance. | ||
:::::::: As I said, inflecting the third and sixth by 36/35 flips the o/utonality without changing the intervals' degrees or qualities. This is a very useful property, very helpful for memorizing the 7-limit chords, and I | :::::::: As I said, inflecting the third and sixth by 36/35 flips the o/utonality without changing the intervals' degrees or qualities. This is a very useful property, very helpful for memorizing the 7-limit chords, and I highly recommend you to start considering it, in addition to all the other things I've shown and explained to you. | ||
:::::::: —[[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 12:28, 3 April 2026 (UTC) | :::::::: —[[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 12:28, 3 April 2026 (UTC) (last edited [[User:FloraC|FloraC]] ([[User talk:FloraC|talk]]) 12:33, 3 April 2026 (UTC)) | ||