Father: Difference between revisions

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{{About|the regular temperament|the scale structure sometimes associated with it|5L 3s}}

{{Infobox regtemp

| Title = Father

| Subgroups = 2.3.5, 2.3.5.7

| Comma basis = [[16/15]] (5-limit) <br>16/15, [[28/27]] (7-limit)

| Edo join 1 = 2(d) | Edo join 2 = 3(d)

| Mapping = 1; 1 -1 3

| Generators = 3/2 | Generators tuning = 738.443 | Optimization method = CWE

| MOS scales = [[1L 1s]], [[2L 1s]], [[3L 2s]]

| Pergen = (P8, P5)

| Odd limit 1 = 5 | Mistuning 1 = 55.9 | Complexity 1 = 3

| Odd limit 2 = 7 | Mistuning 2 = 68.1 | Complexity 2 = 5

}}

'''Father''' is a very coarse, simplistic, and inaccurate [[exotemperament]]. It [[tempering out|tempers out]] [[16/15]], the classical diatonic semitone. This means the [[5/4|classical major third (5/4)]] is conflated with the [[4/3|perfect fourth (4/3)]], making it one that challenges the very notion of JI approximation, and playing harmony in it, it sounds only remotely reminiscent of the [[5-limit]] no matter how it is tuned. If one could get their head around this way of hearing intervals, they may as well take a look at the 7-limit interpretation, where it tempers out [[28/27]] and [[36/35]].

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 {{About|the regular temperament|the scale structure sometimes associated with it|5L 3s}}
+{{Infobox regtemp
+| Title = Father
+| Subgroups = 2.3.5, 2.3.5.7
+| Comma basis = [[16/15]] (5-limit) <br>16/15, [[28/27]] (7-limit)
+| Edo join 1 = 2(d) | Edo join 2 = 3(d)
+| Mapping = 1; 1 -1 3
+| Generators = 3/2 | Generators tuning = 738.443 | Optimization method = CWE
+| MOS scales = [[1L 1s]], [[2L 1s]], [[3L 2s]]
+| Pergen = (P8, P5)
+| Odd limit 1 = 5 | Mistuning 1 = 55.9 | Complexity 1 = 3
+| Odd limit 2 = 7 | Mistuning 2 = 68.1 | Complexity 2 = 5
+}}
 '''Father''' is a very coarse, simplistic, and inaccurate [[exotemperament]]. It [[tempering out|tempers out]] [[16/15]], the classical diatonic semitone. This means the [[5/4|classical major third (5/4)]] is conflated with the [[4/3|perfect fourth (4/3)]], making it one that challenges the very notion of JI approximation, and playing harmony in it, it sounds only remotely reminiscent of the [[5-limit]] no matter how it is tuned. If one could get their head around this way of hearing intervals, they may as well take a look at the 7-limit interpretation, where it tempers out [[28/27]] and [[36/35]].