29edo/Unque's compositional approach: Difference between revisions
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Additionally, 4\29 can be interpreted as 32/29, adding prime 29 to the subgroup; this allows the chromatic semitone to be interpreted as | Because, for example, 11/7 can be found at (11/5)/(7/5), we only need to add three fractions to the subgroup; here, I'll use 7/5, 11/5, and 13/5. | ||
Additionally, 4\29 can be interpreted as 32/29, adding prime 29 to the subgroup; this allows the chromatic semitone to be interpreted as 29/27, the supraminor third as 29/24, and the submajor third as 36/29. | |||
Finally, the arto third / semifourth at 6\29 can be interpreted as 37/32, adding prime 37 to the subgroup; this allows the upfourth to be interpreted as 37/27, the tendo third as 48/37, and the diesis as 37/36. | |||
So in total, our accurate subgroup for 29edo is '''2.3.7/5.11/5.13/5.29.37'''. Not bad for a tuning that supposedly isn't useful beyond the 3-limit. | |||
== Chords of 29edo == | == Chords of 29edo == | ||