4:6:7: Difference between revisions

Open voicing shouldn't change its bass note
Overthink (talk | contribs)
→Related chords: added more
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* 6:7:8 – first rotation
* 6:7:8 – first rotation
* 3:4:7 – first rotation, open voicing
* 3:4:7 – first rotation, open voicing
* [[12:14:21]] - melodic inversion
* [[4:5:7]] – no threes version
* [[4:5:7]] – no threes version
* [[4:5:6:7]] – full tetrad
* [[4:5:6:7]] – full tetrad
* [[12:14:18:21]] - adds [[7/6]]