Pajara: Difference between revisions
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'''Pajara''' (pronounced /pəˈd͡ʒɑːrə/, with the J as in "jar") is a [[regular temperament|temperament]] with a half-octave [[period]] that represents both [[7/5]] and [[10/7]], so [[50/49]] is [[tempering out|tempered out]] and it is in the [[jubilismic clan]]. The [[generator]] is a [[3/2|perfect fifth]] in the neighborhood of 707–711 [[cent]]s, or that minus a half-octave period, which is a semitone representing [[15/14]] and [[16/15]]. One period minus 2 such semitones is [[~]][[5/4]], which, if you work it out, implies that [[2048/2025]] is tempered out, so pajara is also in the [[diaschismic family]]. In fact, it shares the same structure as 5-limit [[diaschismic]]. Finally, two 4/3's (or an octave minus two semitones) represents 7/4 as well as 16/9, so [[64/63]] is tempered out and pajara is in the [[ | '''Pajara''' (pronounced /pəˈd͡ʒɑːrə/, with the J as in "jar") is a [[regular temperament|temperament]] with a half-octave [[period]] that represents both [[7/5]] and [[10/7]], so [[50/49]] is [[tempering out|tempered out]] and it is in the [[jubilismic clan]]. The [[generator]] is a [[3/2|perfect fifth]] in the neighborhood of 707–711 [[cent]]s, or that minus a half-octave period, which is a semitone representing [[15/14]] and [[16/15]]. One period minus 2 such semitones is [[~]][[5/4]], which, if you work it out, implies that [[2048/2025]] is tempered out, so pajara is also in the [[diaschismic family]]. In fact, it shares the same structure as 5-limit [[diaschismic]]. Finally, two 4/3's (or an octave minus two semitones) represents 7/4 as well as 16/9, so [[64/63]] is tempered out and pajara is in the [[archytas clan]]. Tempering out any two of these commas (among others) produces the unique temperament pajara. | ||
Pajara has fairly low accuracy overall, due to 5/4 and 7/4 necessarily being separated by 600 cents. This means that [[49/48]] and [[25/24]] are tempered to the same interval. | Pajara has fairly low accuracy overall, due to 5/4 and 7/4 necessarily being separated by 600 cents. This means that [[49/48]] and [[25/24]] are tempered to the same interval. | ||
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<nowiki>*</nowiki> In 11-limit POTE tuning= | <nowiki>*</nowiki> In 11-limit POTE tuning= | ||
== | == Scales == | ||
=== 10-note (proper) === | === 10-note (proper) === | ||
{{Main|2L | {{Main| 2L 8s }} | ||
The true | The true mos is called the ''symmetric'' decatonic scale, because it repeats exactly at the half-octave, so the symmetric scale starting from 7/5~10/7 is the same as the symmetric scale starting from 1/1. The near-mos, LsssLsssss, in which only the 5-step interval violates the rule of no more than 2 intervals per class, is called the ''pentachordal'' decatonic, because it consists of two identical [[pentachord]]s plus a split 9/8~8/7 whole tone to complete the octave. | ||
=== 12-note (proper) === | === 12-note (proper) === | ||
{{ | {{Main| 10L 2s }} | ||
== Tuning spectrum == | == Tuning spectrum == | ||
{| class="wikitable center-all" | {| class="wikitable center-all" | ||
|- | |- | ||
! | ! Edo<br>generator | ||
! [[ | ! [[Eigenmonzo|Eigenmonzo<br>(unchanged-interval]]) | ||
! | ! Generator (¢) | ||
! | ! Comments | ||
|- | |- | ||
| 7\12 | | 7\12 | ||
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| | | | ||
|} | |} | ||
== Music == | |||
; [[Jake Freivald]] | |||
* [https://soundcloud.com/jdfreivald/chord-sequence-in-paul-erlichs ''Chord Sequence in Paul Erlich's Decatonic Major''] (2014) – in Pajara[10], 22edo tuning | |||
; [[Joel Grant Taylor]] | |||
* [https://web.archive.org/web/20201127012345/http://micro.soonlabel.com/gene_ward_smith/Others/Taylor/12-22hexachordal%20Dirge.mp3 ''Dirge''] – in the hexachordal dodecatonic modmos, [[12-22h]] | |||
* [https://web.archive.org/web/20201127012408/http://micro.soonlabel.com/gene_ward_smith/Others/Taylor/12-22hexachordal%20Sonatina.mp3 ''Sonatina''] – ditto | |||
; [[Chris Vaisvil]] | |||
* ''Smoke Filled Bar'' (2012) – [https://www.chrisvaisvil.com/smoke-filled-bar/ blog] | [https://web.archive.org/web/20230530093324/http://micro.soonlabel.com/22-ET/20120616-12-22h.scl-smoke-filled-bar.mp3 play] – in 12-22h. | |||
== References == | == References == | ||
* Erlich, Paul. "Tuning, Tonality and 22-Tone Temperament." Xenharmonicon 17, 1998. [http://sethares.engr.wisc.edu/paperspdf/Erlich-22.pdf http://sethares.engr.wisc.edu/paperspdf/Erlich-22.pdf] | * Erlich, Paul. "Tuning, Tonality and 22-Tone Temperament." Xenharmonicon 17, 1998. [http://sethares.engr.wisc.edu/paperspdf/Erlich-22.pdf http://sethares.engr.wisc.edu/paperspdf/Erlich-22.pdf] | ||
[[Category:Pajara| ]] <!-- main article --> | [[Category:Pajara| ]] <!-- main article --> | ||