Compton: Difference between revisions
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[[Category:Temperaments]] | [[Category:Temperaments]] | ||
[[Category:Compton family]] | [[Category:Compton family]] | ||
'''Compton''' is a 5-limit regular temperament similar to [[12edo]], except that instead of being mapped to one of 12edo's intervals, the [[5/1|fifth harmonic]] is given its own generator. Equivalently, it is the rank-2 temperament which tempers out the Pythagorean comma [[531441/524288]]. This equates Pythagorean comma-flat or -sharp intervals with their simpler counterparts (for example, the comma-flat major third [[8192/6561]] with the standard major third [[81/64]]), and if the comma-flat third is seen as a diminished fourth, it can be seen as tempering together the two kinds of Pythagorean semitones, diatonic [[256/243]] and chromatic [[2187/2048]], into a single interval of 1/12 octave, which serves as the period. The generator can then be seen as any ptolemaic interval (the alteration of a Pythagorean interval by a syntonic comma), but is most usefully 5/4 or 81/80. | |||
As such, in terms of equal temperaments, compton is only supported by equal temperaments that are a multiple of 12, with 60edo, 72edo, 84edo, 96edo, 108edo, and [[240edo]] perhaps being best. | |||
For technical data, see [[Compton family#Compton]]. | |||
== Higher-limit extensions == | |||
If 7-limit intervals are desired, one may observe that simple septimal intervals are usually about twice as far away from 12edo intervals as simple classical intervals are. As such, the septimal comma [[64/63]] can be mapped to two syntonic commas. This tempers out 413343/409600, and can also be seen as tempering out [[225/224]]. This implies that [[72edo]] is a good tuning, as it tempers both the 5-limit and 7-limit intervals of compton close to their just counterparts. For the 2.3.7 subgroup, [[36edo]] is a good tuning. | |||
Assuming one has chosen to approximate the 7-limit, the comma generator will be around 15-17 cents. This means that the 11th harmonic can be reached either by going up or down three steps. Going down three steps results in the canonical extension of compton. Stepping down one more comma, depending on the tuning, can lead to the 13th harmonic, and results in the canonical tridecimal compton. This works best with tunings of the comma around 15 cents. | |||
Alternatively, any prime may be merged into its 12edo mapping, making the smallest available prime the generator. This is done in catler (which shares 12edo's 5-limit and is generated by 7) and duodecim (which shares 12edo's 7-limit and is generated by 11). This is a natural choice for 17 and 19, as 12edo tunes those primes especially well, so compton can be seen as a 19-limit temperament. | |||
== Interval chain == | |||
{| class="wikitable" | |||
|+ | |||
!Generator steps | |||
!Cents | |||
!Intervals (down from 400c) | |||
!Intervals (up from 400c) | |||
!Intervals (up from 0c) | |||
!Harmonics | |||
|- | |||
|1 | |||
|0 | |||
|81/64 | |||
|81/64 | |||
|1/1 | |||
|3/2, 17/16, 19/16 | |||
|- | |||
|2 | |||
|15.4 | |||
|5/4 | |||
| | |||
|81/80 | |||
|5/4 | |||
|- | |||
|3 | |||
|30.8 | |||
| | |||
|9/7 | |||
|64/63 | |||
|7/4 | |||
|- | |||
|4 | |||
|46.2 | |||
|11/9 | |||
|13/10 | |||
| | |||
|11/8 | |||
|- | |||
|5 | |||
|61.5 | |||
|39/32 | |||
| | |||
| | |||
|13/8 | |||
|} | |||