29edo/Unque's compositional approach: Difference between revisions
Added massive Chords section and greatly expanded on available scales. |
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=== Chthonic | === Chthonic Triads === | ||
If tertian harmony can be considered by taking two intervals that add up to a perfect fifth, then chthonic harmony can be considered by taking two intervals that add up to a perfect fourth. For these purposes, I will consider the "perfect" chthonic (6\29, precisely half of the perfect fourth), the downchthonic (5\29, enharmonically equivalent to a major second), and the upchthonic (7\29, enharmonically equivalent to a minor third). | If tertian harmony can be considered by taking two intervals that add up to a perfect fifth, then chthonic harmony can be considered by taking two intervals that add up to a perfect fourth. For these purposes, I will consider the "perfect" chthonic (6\29, precisely half of the perfect fourth), the downchthonic (5\29, enharmonically equivalent to a major second), and the upchthonic (7\29, enharmonically equivalent to a minor third). | ||
{| class="wikitable sortable mw-collapsible mw-collapsed" | {| class="wikitable sortable mw-collapsible mw-collapsed" | ||
|+Chthonic | |+Chthonic Triads | ||
!Chord | !Chord | ||
!Symbol | !Symbol | ||