Lumatone mapping for 80edo: Difference between revisions
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{{Lumatone mapping intro}} Due to the size of the edo, this mapping does not cover all the notes. In addition, the best approximation to [[5/4]] is a pentuply augmented | {{Lumatone mapping intro}} | ||
== Diatonic == | |||
Due to the size of the edo, this mapping does not cover all the notes. In addition, the best approximation to [[5/4]] is a ''pentuply-augmented'' sixth or ''hextuply-diminished'' unison, which is impossible to play with the root note of the scale. | |||
{{Lumatone EDO mapping|n=80|start=8|xstep=14|ystep=-9}} | {{Lumatone EDO mapping|n=80|start=8|xstep=14|ystep=-9}} | ||
On the other hand, the [[diaschismic]] mapping can cover the whole gamut and make harmonics easy to play together, although it needs to be expanded from [[2L 8s]] to [[10L 2s]] to hit every single note. | == Diaschismic == | ||
On the other hand, the [[diaschismic]] mapping can cover the whole gamut and make harmonics easy to play together, although it needs to be expanded from [[2L 8s]] to [[10L 2s]] to hit every single note. | |||
{{Lumatone EDO mapping|n=80|start=29|xstep=7|ystep=5}} | {{Lumatone EDO mapping|n=80|start=29|xstep=7|ystep=5}} | ||
{{Lumatone EDO mapping|n=80|start=71|xstep=7|ystep=-2}} | {{Lumatone EDO mapping|n=80|start=71|xstep=7|ystep=-2}} | ||
== Bidia == | |||
Slicing the period into quarters produces the [[Bidia]] mapping, which keeps octaves closer to horizontal and makes the well-tuned 19th harmonic easily accessible. | Slicing the period into quarters produces the [[Bidia]] mapping, which keeps octaves closer to horizontal and makes the well-tuned 19th harmonic easily accessible. | ||
{{Lumatone EDO mapping|n=80|start=69|xstep=7|ystep=-1}} | {{Lumatone EDO mapping|n=80|start=69|xstep=7|ystep=-1}} | ||
{{Navbox Lumatone}} | {{Navbox Lumatone}} |