Major third (diatonic interval category): Difference between revisions
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{{Infobox | {{Infobox | ||
| Title = Diatonic major third | | Title = Diatonic major third | ||
| Header 1 = MOS | Data 1 = [[5L 2s]] | | Header 1 = MOS | Data 1 = [[5L 2s]] | ||
| Header 2 = Other names | Data 2 = Major 2-diastep | | Header 2 = Other names | Data 2 = Major 2-diastep | ||
| Header 3 = Generator span | Data 3 = +4 generators | | Header 3 = Generator span | Data 3 = +4 generators | ||
| Header 4 = Tuning range | Data 4 = | | Header 4 = Tuning range | Data 4 = 343–480{{c}} | ||
| Header 5 = Basic tuning | Data 5 = | | Header 5 = Basic tuning | Data 5 = 400{{c}} | ||
| Header 6 = Chromatically adjacent interval | Data 6 = [[Minor third (diatonic interval category)|Diatonic minor third]] | | Header 6 = Chromatically adjacent interval | Data 6 = [[Minor third (diatonic interval category)|Diatonic minor third]] | ||
| Header 7 = Function on root | Data 7 = Mediant | | Header 7 = Function on root | Data 7 = Mediant | ||
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| Header 10 = Associated just intervals | Data 10 = [[5/4]], [[81/64]] | | Header 10 = Associated just intervals | Data 10 = [[5/4]], [[81/64]] | ||
}} | }} | ||
A '''major third''' ('''M3'''), in the diatonic scale, is an interval that spans two scale steps in the [[5L 2s|diatonic]] scale with the major (wider) quality. It is generated by stacking 4 fifths [[octave reduction|octave reduced]], and depending on the specific tuning, it ranges from 343 to | A '''major third''' ('''M3'''), in the diatonic scale, is an interval that spans two scale steps in the [[5L 2s|diatonic]] scale with the major (wider) quality. It is generated by stacking 4 fifths [[octave reduction|octave reduced]], and depending on the specific tuning, it ranges from 343 to 480{{cent}} ([[7edo|2\7]] to [[5edo|2\5]]). In [[just intonation]], an interval may be classified as a major third if it is reasonably mapped to 2\7 and [[24edo|8\24]] (precisely two steps of the diatonic scale and four steps of the chromatic scale). The use of 24edo's 8\24 as the mapping criteria here rather than [[12edo]]'s 4\12 better captures the characteristics of many intervals in the [[11-limit|11-]] and [[13-limit]]. | ||
The major third can be stacked with a [[minor third (diatonic interval)|diatonic minor third]] to form a perfect fifth, and as such is often involved in chord structures in diatonic harmony. | The major third can be stacked with a [[minor third (diatonic interval)|diatonic minor third]] to form a perfect fifth, and as such is often involved in chord structures in diatonic harmony. | ||
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Several example tunings are provided below: | Several example tunings are provided below: | ||
{| class="wikitable" | {| class="wikitable" | ||
|+Tunings of the major third | |+ style="font-size: 105%;" | Tunings of the major third | ||
|- | |||
! Tuning | ! Tuning | ||
! Step ratio | ! Step ratio | ||
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| 1:1 | | 1:1 | ||
| 7 | | 7 | ||
| | | 343{{c}} | ||
|- | |- | ||
| Supersoft | | Supersoft | ||
| 4:3 | | 4:3 | ||
| 26 | | 26 | ||
| | | 369{{c}} | ||
|- | |- | ||
| Soft | | Soft | ||
| 3:2 | | 3:2 | ||
| 19 | | 19 | ||
| | | 379{{c}} | ||
|- | |- | ||
| Semisoft | | Semisoft | ||
| 5:3 | | 5:3 | ||
| 31 | | 31 | ||
| | | 387{{c}} | ||
|- | |- | ||
| Basic | | Basic | ||
| 2:1 | | 2:1 | ||
| 12 | | 12 | ||
| | | 400{{c}} | ||
|- | |- | ||
| Semihard | | Semihard | ||
| 5:2 | | 5:2 | ||
| 29 | | 29 | ||
| | | 414{{c}} | ||
|- | |- | ||
| Hard | | Hard | ||
| 3:1 | | 3:1 | ||
| 17 | | 17 | ||
| | | 424{{c}} | ||
|- | |- | ||
| Superhard | | Superhard | ||
| 4:1 | | 4:1 | ||
| 22 | | 22 | ||
| | | 436{{c}} | ||
|- | |- | ||
| Collapsed | | Collapsed | ||
| 1:0 | | 1:0 | ||
| 5 | | 5 | ||
| | | 480{{c}} | ||
|} | |} | ||
== In regular temperaments == | == In regular temperaments == | ||
=== P5 = 3/2 === | === P5 {{=}} 3/2 === | ||
If the diatonic perfect fifth is treated as [[3/2]], approximating various intervals with the diatonic major third leads to the following temperaments: | If the diatonic perfect fifth is treated as [[3/2]], approximating various intervals with the diatonic major third leads to the following temperaments: | ||
{| class="wikitable" | {| class="wikitable" | ||
| | |- | ||
! Just interval | ! Just interval | ||
! Cents | ! Cents | ||
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| [[Io]] | | [[Io]] | ||
| [[33/32]] | | [[33/32]] | ||
| Perfect fifth ≈ | | {{nowrap|Perfect fifth ≈ 689{{c}}}} | ||
|- | |- | ||
| [[16/13]] | | [[16/13]] | ||
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| [[Superflat]] | | [[Superflat]] | ||
| [[1053/1024]] | | [[1053/1024]] | ||
| Perfect fifth ≈ | | {{nowrap|Perfect fifth ≈ 690{{c}}}} | ||
|- | |- | ||
| [[21/17]] | | [[21/17]] | ||
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| Temperament of 459/448 | | Temperament of 459/448 | ||
| 459/448 | | 459/448 | ||
| Perfect fifth ≈ | | {{nowrap|Perfect fifth ≈ 692{{c}}}} | ||
|- | |- | ||
| [[5/4]] | | [[5/4]] | ||
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| [[Meantone]] | | [[Meantone]] | ||
| [[81/80]] | | [[81/80]] | ||
| Perfect fifth ≈ | | {{nowrap|Perfect fifth ≈ 697{{c}}}} | ||
|- | |- | ||
| [[81/64]] | | [[81/64]] | ||
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| [[Pythagorean tuning|Pythagorean]] | | [[Pythagorean tuning|Pythagorean]] | ||
| [[1/1]] | | [[1/1]] | ||
| Perfect fifth ≈ | | {{nowrap|Perfect fifth ≈ 702{{c}}}} | ||
|- | |- | ||
| [[14/11]] | | [[14/11]] | ||
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| [[Parapyth]]/[[pentacircle]] | | [[Parapyth]]/[[pentacircle]] | ||
| [[896/891]] | | [[896/891]] | ||
| Perfect fifth ≈ | | {{nowrap|Perfect fifth ≈ 705{{c}}}} | ||
|- | |- | ||
| [[9/7]] | | [[9/7]] | ||
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| [[Superpyth|Archy/superpyth]] | | [[Superpyth|Archy/superpyth]] | ||
| [[64/63]] | | [[64/63]] | ||
| Perfect fifth ≈ | | {{nowrap|Perfect fifth ≈ 709{{c}}}} | ||
|- | |- | ||
| [[13/10]] | | [[13/10]] | ||
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| [[Oceanfront]]/Temperament of 416/405 | | [[Oceanfront]]/Temperament of 416/405 | ||
| [[416/405]] | | [[416/405]] | ||
| Perfect fifth ≈ | | {{nowrap|Perfect fifth ≈ 714{{c}}}} | ||
|} | |} | ||