128afdo: Difference between revisions

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{{Infobox AFDO|steps=128}}
{{Infobox AFDO|steps=128}}


'''128afdo''' ([[AFDO|arithmetic frequency division of the octave]]), or '''128odo''' ([[otonal division]] of the octave), divides the octave into 128 parts of 1/128 each. It is a superset of [[127afdo]] and a subset of [[129afdo]]. As a scale it may be known as [[harmonic mode|mode 80 of the harmonic series]] or the [[overtone scale #Over-n scales|Over-128]] scale.
'''128afdo''' ([[AFDO|arithmetic frequency division of the octave]]), or '''128odo''' ([[otonal division]] of the octave), divides the octave into 128 parts of 1/128 each. It is a superset of [[127afdo]] and a subset of [[129afdo]]. As a scale it may be known as [[harmonic mode|mode 128 of the harmonic series]] or the [[overtone scale #Over-n scales|Over-128]] scale.


The '''8<sup>th</sup> Octave Overtone Tuning''', sometimes known as '''128 Tuning''', is a tuning developed by [[Johnny Reinhard]]. It is equivalent to 128afdo, except that it has a fixed root and cannot be rotated. It consists of harmonics of the [[harmonic series]], numbers 128 (2<sup>7</sup>, hence 8<sup>th</sup> octave) through 255. It is an Over-1 scale, specifically mode 128 of the harmonic series. Scales can be selected as subsets of these 128 pitches, or the entire set can be used.
The '''8<sup>th</sup> Octave Overtone Tuning''', sometimes known as '''128 Tuning''', is a tuning developed by [[Johnny Reinhard]]. It is equivalent to 128afdo, except that it has a fixed root and cannot be rotated. It consists of harmonics of the [[harmonic series]], numbers 128 (2<sup>7</sup>, hence 8<sup>th</sup> octave) through 255. It is an Over-1 scale, specifically mode 128 of the harmonic series. Scales can be selected as subsets of these 128 pitches, or the entire set can be used.

Revision as of 21:51, 6 March 2025

← 127afdo 128afdo 129afdo →
Prime factorization 27
Fifth 192/128 (701.955c)

128afdo (arithmetic frequency division of the octave), or 128odo (otonal division of the octave), divides the octave into 128 parts of 1/128 each. It is a superset of 127afdo and a subset of 129afdo. As a scale it may be known as mode 128 of the harmonic series or the Over-128 scale.

The 8th Octave Overtone Tuning, sometimes known as 128 Tuning, is a tuning developed by Johnny Reinhard. It is equivalent to 128afdo, except that it has a fixed root and cannot be rotated. It consists of harmonics of the harmonic series, numbers 128 (27, hence 8th octave) through 255. It is an Over-1 scale, specifically mode 128 of the harmonic series. Scales can be selected as subsets of these 128 pitches, or the entire set can be used.

A key benefit of using pitches exclusively from the same harmonic series is that they share a fundamental. By using the 8th octave of a harmonic series, said fundamental will almost certainly be infrasonic, but it will still have a psychoacoustic presence.

An illustratively surprising result of this higher harmonic tuning is that, since a just 4/3 does not have a power of 2 in the denominator and thus does not exist in the (octave-reduced) harmonic series, it will not be used in this tuning. Instead, when the inverse of the 3/2 ratio is needed, one may use 43/32 (511.517706¢) or 171/128 (501.423018¢).

Due to having only one prime factor (2), yet also being a higher octave of a prime mode (mode 2), it is a very strong tuning for primodality, providing a large gamut of intervals without compromising their clear prime identity.

Music

Glenn Branca
Philipp Gerschlauer
Juhani Nuorvala
  • Toivo 128 (2017) – bassoon solo accompanied by a soundtrack (score only)

Composers John Eaton, Rovner, Thoegersen, Golden, and others have also worked with 8th Octave Overtone Tuning[citation needed].

External links