22edo/Unque's compositional approach: Difference between revisions

| Mixolydian

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| LsLLLsL

| C - D - E♭ - F - G - A - B♭ - C

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| sLMLsLM

| C - ^D♭ - ^E♭ - F - G - vA♭ - ^B♭ - C

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| MLsLMLs

| C - vD - vE - F - G - vA - vB - C

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| LsLmLsLmLs

| C - C♯ - D - D♯ - F - F# - G - G♯ - B♭ - B - C

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| sLmLsLmLsL

| C - D♭ - D - F♭ - F - G♭ - G - B𝄫 - B♭ - C♭ - C

|+ style="font-size: 105%;" | Modes of 2L 8s

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! Step pattern

! Notation

| Dual thirds are subminor and major

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| ssLssssLss

| C - vC♯ - D - D♯ - F - vF♯ - G - vG♯ - ^A - A♯ - C

|+ style="font-size: 105%;" | Modes of 4L 5s

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! Step Pattern

! Notation

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| sLsLsLsLs

| C - vC♯ - E♭ - D♯ - G♭ - F♯ - ^A♭ - A - A♯ - C

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|-

| sLsLsLssL

| C - vC♯ - E♭ - D♯ - G♭ - F♯ - ^A♭ - A - vA♯ - C

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| sLsLssLsL

| C - vC♯ - E♭ - D♯ - G♭ - F♯ - A♭ - A - vA♯ - C

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|-

| sLssLsLsL

| C - vC♯ - E♭ - D♯ - vG♭ - F♯ - A♭ - A - vA♯ - C

| vG♭ is actually the Wolf Fourth in this context, and G♭ is the desirable interval!

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| ssLsLsLsL

| C - vC♯ - vE♭ - D♯ - vG♭ - F♯ - A♭ - A - vA♯ - C

|+ style="font-size: 105%;" |Modes of 3L 4s

|-

! Step Pattern

! Notation

|+ style="font-size: 105%;" | Quartal Inversions

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! Symbol

! Notation