Porcupine: Difference between revisions

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m Interval chain: cleanup; bold to odd harmonics; sort intervals by complexity
Interval chain: adopt CWE tuning
Line 32: Line 32:
|-
|-
| 0
| 0
| 0.00
| 0.0
| '''1/1'''
| '''1/1'''
| P1
| P1
| 0
| 0
| 1200.00
| 1200.0
| '''2/1'''
| '''2/1'''
| P8
| P8
|-
|-
| 1
| 1
| 162.75
| 162.8
| 10/9, 11/10, 12/11
| 10/9, 11/10, 12/11
| vM2 = ^^m2
| vM2 = ^^m2
| -1
| -1
| 1037.25
| 1037.2
| 9/5, 11/6, 20/11
| 9/5, 11/6, 20/11
| ^m7 = vvM7
| ^m7 = vvM7
|-
|-
| 2
| 2
| 325.50
| 325.6
| 6/5, 11/9
| 6/5, 11/9
| ^m3 = vvM3
| ^m3 = vvM3
| -2
| -2
| 874.50
| 874.4
| 5/3, 18/11
| 5/3, 18/11
| vM6 = ^^m6
| vM6 = ^^m6
|-
|-
| 3
| 3
| 488.25
| 488.4
| 4/3
| 4/3
| P4
| P4
| -3
| -3
| 711.75
| 711.6
| '''3/2'''
| '''3/2'''
| P5
| P5
|-
|-
| 4
| 4
| 651.00
| 651.3
| 16/11, 22/15
| 16/11, 22/15
| v5 = ^^d5
| v5 = ^^d5
| -4
| -4
| 549.00
| 548.7
| '''11/8''', 15/11
| '''11/8''', 15/11
| ^4 = vvA4
| ^4 = vvA4
|-
|-
| 5
| 5
| 813.75
| 814.1
| 8/5
| 8/5
| ^m6 = vvM6
| ^m6 = vvM6
| -5
| -5
| 386.25
| 385.9
| '''5/4'''
| '''5/4'''
| vM3 = ^^m3
| vM3 = ^^m3
|-
|-
| 6
| 6
| 976.50
| 976.9
| '''7/4''', 16/9
| '''7/4''', 16/9
| m7
| m7
| -6
| -6
| 223.50
| 223.1
| 8/7, '''9/8'''
| 8/7, '''9/8'''
| M2
| M2
|-
|-
| 7
| 7
| 1139.25
| 1139.7
| 48/25, 160/81
| 48/25, 160/81
| v8 = ^^d8
| v8 = ^^d8
| -7
| -7
| 60.75
| 60.3
| 25/24, 81/80
| 25/24, 81/80
| ^1 = vvA1
| ^1 = vvA1
|-
|-
| 8
| 8
| 102.00
| 102.5
| 16/15, 21/20
| 16/15, 21/20
| ^m2 = vvM2
| ^m2 = vvM2
| -8
| -8
| 1098.00
| 1097.5
| 15/8, 40/21
| 15/8, 40/21
| vM7 = ^^m7
| vM7 = ^^m7
|-
|-
| 9
| 9
| 264.75
| 265.3
| 7/6
| 7/6
| m3
| m3
| -9
| -9
| 935.25
| 934.7
| 12/7
| 12/7
| M6
| M6
|-
|-
| 10
| 10
| 427.50
| 428.2
| 14/11
| 14/11
| v4 = ^^d4
| v4 = ^^d4
| -10
| -10
| 772.50
| 771.8
| 11/7
| 11/7
| ^5 = vvA5
| ^5 = vvA5
|-
|-
| 11
| 11
| 590.25
| 591.0
| 7/5
| 7/5
| ^d5 = vv5
| ^d5 = vv5
| -11
| -11
| 609.75
| 609.0
| 10/7
| 10/7
| vA4 = ^^4
| vA4 = ^^4
|-
|-
| 12
| 12
| 753.00
| 753.8
| 14/9
| 14/9
| m6
| m6
| -12
| -12
| 447.00
| 446.2
| 9/7
| 9/7
| M3
| M3
|}
|}


The specific tuning shown is the full 11-limit [[POTE tuning]], but of course there is a range of acceptible porcupine tunings that includes generators as small as 160 cents ([[15edo]]) and as large as 165.5 cents ([[29edo]]). (However, the 29edo patent val does not support 11-limit porcupine proper, since it does not temper out [[64/63]].)
The specific tuning shown is the full 11-limit [[CWE tuning]], but of course there is a range of acceptable porcupine tunings that includes generators as small as 160 cents ([[15edo]]) and as large as 165.5 cents ([[29edo]]). However, the 29edo patent val does not support 11-limit porcupine proper, since it does not temper out [[64/63]].


[[12/11]], [[11/10]], and [[10/9]] are all represented by the same interval, the generator. This makes chords such as 8:9:10:11:12 exceptionally common and easy to find.
[[12/11]], [[11/10]], and [[10/9]] are all represented by the same interval, the generator. This makes chords such as 8:9:10:11:12 exceptionally common and easy to find.
Line 165: Line 165:
The [[11/9]] interval, usually considered a "neutral third", is in porcupine identical to the [[6/5]] "minor third". This means that the [[27/20]] "acute fourth" of the JI diatonic scale is equivalent to [[11/8]] (rather than becoming 4/3 as in meantone).
The [[11/9]] interval, usually considered a "neutral third", is in porcupine identical to the [[6/5]] "minor third". This means that the [[27/20]] "acute fourth" of the JI diatonic scale is equivalent to [[11/8]] (rather than becoming 4/3 as in meantone).


The characteristic small interval of porcupine, which is 60.75 cents in this tuning but can range from <50 to 80 cents in general, represents both [[25/24]] and [[81/80]].
The characteristic small interval of porcupine, which is 60.3 cents in this tuning but can range from < 50 to 80 cents in general, represents both [[25/24]] and [[81/80]].


== Chords ==
== Chords ==

Revision as of 07:55, 16 February 2025

Porcupine equates three minor thirds (6/5, in red) with two perfect fourths (4/3, in green). To do so, it tempers out 250/243, which implies a generator of a flat 10/9.
Symmetric minor mode of the porcupine[7] scale, containing two equal tetrachords with a major wholetone between them, in 22edo tuning.

Porcupine is a linear temperament that tempers out 250/243, the porcupine or Triyo comma, and whose generator is a minor whole tone (10/9) which is tuned flat to around 160–170 cents such that two of them stack to a classic minor third (6/5). Its pergen is (P8, P4/3). It can be thought of as a 5-limit, 7-limit, or 11-limit temperament, or a 2.3.5.11 subgroup temperament (sometimes known as porkypine). It is one of the best temperaments in the 2.3.5.11 subgroup, with a unique combination of efficiency and accuracy.

Porcupine's basic 5-limit harmonic structure can be understood by noting that tempering out 250/243 also makes (4/3)2 equivalent to (6/5)3; or, in other words, two "perfect fourths" are equivalent to three "minor thirds". As a consequence of this, 4/3 is divided into 3 equal parts, and 6/5 is divided into 2 of those same equal parts. This is obviously in stark contrast to 12edo. The "equal tetrachord" formed by dividing 4/3 into 3 equal parts is a characteristic feature of many of porcupine's scales.

See Porcupine family #Porcupine for technical data.

Interval chain

In the following table, odd harmonics 1–11 are in bold.

Up from the tonic, aka fourthward Down from the octave, aka fifthward
# Cents Ratios Ups and downs
notation
# Cents Ratios Ups and downs
notation
0 0.0 1/1 P1 0 1200.0 2/1 P8
1 162.8 10/9, 11/10, 12/11 vM2 = ^^m2 -1 1037.2 9/5, 11/6, 20/11 ^m7 = vvM7
2 325.6 6/5, 11/9 ^m3 = vvM3 -2 874.4 5/3, 18/11 vM6 = ^^m6
3 488.4 4/3 P4 -3 711.6 3/2 P5
4 651.3 16/11, 22/15 v5 = ^^d5 -4 548.7 11/8, 15/11 ^4 = vvA4
5 814.1 8/5 ^m6 = vvM6 -5 385.9 5/4 vM3 = ^^m3
6 976.9 7/4, 16/9 m7 -6 223.1 8/7, 9/8 M2
7 1139.7 48/25, 160/81 v8 = ^^d8 -7 60.3 25/24, 81/80 ^1 = vvA1
8 102.5 16/15, 21/20 ^m2 = vvM2 -8 1097.5 15/8, 40/21 vM7 = ^^m7
9 265.3 7/6 m3 -9 934.7 12/7 M6
10 428.2 14/11 v4 = ^^d4 -10 771.8 11/7 ^5 = vvA5
11 591.0 7/5 ^d5 = vv5 -11 609.0 10/7 vA4 = ^^4
12 753.8 14/9 m6 -12 446.2 9/7 M3

The specific tuning shown is the full 11-limit CWE tuning, but of course there is a range of acceptable porcupine tunings that includes generators as small as 160 cents (15edo) and as large as 165.5 cents (29edo). However, the 29edo patent val does not support 11-limit porcupine proper, since it does not temper out 64/63.

12/11, 11/10, and 10/9 are all represented by the same interval, the generator. This makes chords such as 8:9:10:11:12 exceptionally common and easy to find.

8:9:10:11:12 chord, in just intonation.
All intervals are slightly different.
Porcupine-tempered 8:9:10:11:12 chord, in 22edo.
Except the first, the intervals are the same.
Porcupine-tempered 8:9:10:11:12 chord, in 29edo.
Except the first, the intervals are the same.

The 11/9 interval, usually considered a "neutral third", is in porcupine identical to the 6/5 "minor third". This means that the 27/20 "acute fourth" of the JI diatonic scale is equivalent to 11/8 (rather than becoming 4/3 as in meantone).

The characteristic small interval of porcupine, which is 60.3 cents in this tuning but can range from < 50 to 80 cents in general, represents both 25/24 and 81/80.

Chords

Scales

Mos scales, tuning optimized on the 2.3.5.11 subgroup
Mos scales, 8/5.12/7 eigenmonzo (unchanged-interval) tuning

Tunings

5-limit Prime-Optimized Tunings
Weight-skew\Order Euclidean
Tenney CTE: ~10/9 = 164.1659¢
Weil CWE: ~10/9 = 164.0621¢
Equilateral CEE: ~10/9 = 163.6049¢
Skewed-equilateral CSEE: ~10/9 = 163.2835¢
Benedetti/Wilson CBE: ~10/9 = 164.3761¢
Skewed-Benedetti/Wilson CSBE: ~10/9 = 164.3761¢
2.3.5.11 Subgroup Prime-Optimized Tunings
Weight-skew\Order Euclidean
Tenney CTE: ~11/10 = 163.8867¢
Weil CWE: ~11/10 = 163.9951¢
Equilateral CEE: ~11/10 = 163.1459¢
Skewed-equilateral CSEE: ~11/10 = 162.8445¢
Benedetti/Wilson CBE: ~11/10 = 164.2393¢
Skewed-Benedetti/Wilson CSBE: ~11/10 = 164.4623¢

Tuning spectra

Tuning spectrum of 13-limit porcupine
Edo
generator
Eigenmonzo
(Unchanged-Interval)
Generator (¢) Comments
13/12 138.573
13/11 144.605
1\8 150.000 Lower bound of 5-odd-limit diamond monotone
12/11 150.637 Lower bound of 11-odd-limit diamond tradeoff
13/10 151.405
6/5 157.821 Lower bound of 5-, 7-, and 9-odd-limit diamond tradeoff
15/13 158.710
18/13 159.154
2\15 160.000 Lower bound of 7-, 9-, and 11-odd-limit diamond monotone
8/7 161.471
14/11 161.751
7/5 162.047
5\37 162.162
11/8 162.171 13- and 15-odd-limit minimax
8\59 162.712
5/4 162.737 5- and 7-odd-limit minimax
15/14 162.897
7/6 162.986
3\22 163.636 Upper bound of 7-, 9-, and 11-odd-limit diamond monotone
9/7 163.743 9- and 11-odd-limit minimax
16/15 163.966
7\51 164.706
11/10 165.004
4\29 165.517
15/11 165.762
4/3 166.015 Upper bound of 5- and 7-odd-limit diamond tradeoff
14/13 166.037
1\7 171.429 Upper bound of 5-odd-limit diamond monotone
11/9 173.704
16/13 179.736
10/9 182.404 Upper bound of 9- and 11-odd-limit diamond tradeoff
Tuning spectrum of porcupinefish
Edo
generator
Eigenmonzo
(unchanged-interval)
Generator (¢) Comments
12/11 150.637
6/5 157.821
2\15 160.000
18/13 160.307
15/13 160.860
8/7 161.471
13/12 161.531
14/11 161.751
7/5 162.047
14/13 162.100
13/10 162.149
5\37 162.162
11/8 162.171
16/13 162.322
13/11 162.368 13- and 15-odd-limit minimax
8\59 162.712
5/4 162.737 5- and 7-odd-limit minimax
15/14 162.897
7/6 162.986
3\22 163.636
9/7 163.743 9- and 11-odd-limit minimax
16/15 163.966
7\51 164.706
11/10 165.004
4\29 165.517
15/11 165.762
4/3 166.015
11/9 173.704
10/9 182.404

History

Porcupine temperament/scales were discovered by Dave Keenan, but did not have a name until Herman Miller mentioned that his Mizarian Porcupine Overture in 15et had a section that pumps the 250/243 comma. Although this music did not use a porcupine mos or modmos (which would have 7 or 8 notes), the name was adopted for such scales as well, once the essentially one-to-one relationship between vanishing commas and sequences of DE scales was fully evident. It was clear that even though Herman's piece was in 15edo, 22edo was a porcupine tuning par excellence, and that was an interesting development in itself.

See also

Music

20th century

Herman Miller

21st century

Flora Canou
CellularAutomaton
Paul Erlich
  • Glassic – in 22edo tuning (at least the beginning part is in porcupine.)
Jake Freivald
Cody Hallenbeck
Lillian Hearne
Andrew Heathwaite
  • being a (2010) – in Porcupine[8], mode 1|6, 22edo tuning
Jollybard
Igliashon Jones
Löis Lancaster
John Moriarty
Omega9
Petr Pařízek
Ray Perlner
Gene Ward Smith and Modest Mussorgsky
Chris Vaisvil
Nick Vuci
Well-Tempered Fox

Diagrams