User:VectorGraphics/16edo theory: Difference between revisions
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[[File:16 circle.png|left|thumb|16edo circle of sixths (armotonic VQDMN)|235x235px]] | [[File:16 circle.png|left|thumb|16edo circle of sixths (armotonic VQDMN)|235x235px]] | ||
Suspended chords do not work as well in 16edo, because the interval produced by stacking two sixths is 150c, way smaller than can be considered consonant in a chord. However, the presence of arto and tendo chords more than makes up for this by introducing more variety in standard triads. | |||
== Staff notation == | |||
==Staff notation== | |||
[[File:Staff 16.png|left|thumb|16edo staff]]This is a 16edo staff. There are 6 lines per staff, to accommodate the size of the decim in scale steps. The treble clef is the same G clef you're familiar with, but the bass clef is a new shape, because it marks the note H below middle C, as opposed to F (according to VQDMN convention for 9-note scales). The C clef is still the same as well | [[File:Staff 16.png|left|thumb|16edo staff]]This is a 16edo staff. There are 6 lines per staff, to accommodate the size of the decim in scale steps. The treble clef is the same G clef you're familiar with, but the bass clef is a new shape, because it marks the note H below middle C, as opposed to F (according to VQDMN convention for 9-note scales). The C clef is still the same as well | ||
[[Category:Method]] | |||
[[Category:Approaches to tuning systems]] | |||