Valentine: Difference between revisions
→Tunings: +tuning ranges |
→Interval chain: adopt CWE tuning |
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| Line 6: | Line 6: | ||
== Interval chain == | == Interval chain == | ||
In the following table, odd harmonics and subharmonics 1–21 are in '''bold'''. | |||
{| class="wikitable center-1 right-2" | {| class="wikitable center-1 right-2" | ||
| Line 27: | Line 27: | ||
|- | |- | ||
| 1 | | 1 | ||
| 77. | | 77.9 | ||
| 21/20, 22/21, 25/24 | | 21/20, 22/21, 25/24 | ||
| | | | ||
| Line 34: | Line 34: | ||
|- | |- | ||
| 2 | | 2 | ||
| 155. | | 155.8 | ||
| 12/11, 11/10, 35/32 | | 12/11, 11/10, 35/32 | ||
| | | | ||
| Line 41: | Line 41: | ||
|- | |- | ||
| 3 | | 3 | ||
| 233. | | 233.7 | ||
| '''8/7''' | | '''8/7''' | ||
| | | | ||
| Line 48: | Line 48: | ||
|- | |- | ||
| 4 | | 4 | ||
| 311. | | 311.6 | ||
| 6/5 | | 6/5 | ||
| | | | ||
| Line 55: | Line 55: | ||
|- | |- | ||
| 5 | | 5 | ||
| 389. | | 389.5 | ||
| '''5/4''' | | '''5/4''' | ||
| | | | ||
| Line 62: | Line 62: | ||
|- | |- | ||
| 6 | | 6 | ||
| 467. | | 467.4 | ||
| '''21/16''' | | '''21/16''' | ||
| | | | ||
| Line 69: | Line 69: | ||
|- | |- | ||
| 7 | | 7 | ||
| 545. | | 545.3 | ||
| '''11/8''', 15/11 | | '''11/8''', 15/11 | ||
| | | | ||
| Line 76: | Line 76: | ||
|- | |- | ||
| 8 | | 8 | ||
| 623. | | 623.2 | ||
| 10/7 | | 10/7 | ||
| 56/39 | | 56/39 | ||
| Line 83: | Line 83: | ||
|- | |- | ||
| 9 | | 9 | ||
| | | 701.1 | ||
| '''3/2''' | | '''3/2''' | ||
| | | | ||
| Line 90: | Line 90: | ||
|- | |- | ||
| 10 | | 10 | ||
| | | 779.0 | ||
| 11/7, 25/16 | | 11/7, 25/16 | ||
| | | | ||
| Line 97: | Line 97: | ||
|- | |- | ||
| 11 | | 11 | ||
| 856. | | 856.9 | ||
| 18/11 | | 18/11 | ||
| 64/39 | | 64/39 | ||
| Line 104: | Line 104: | ||
|- | |- | ||
| 12 | | 12 | ||
| 934. | | 934.8 | ||
| 12/7 | | 12/7 | ||
| | | | ||
| Line 111: | Line 111: | ||
|- | |- | ||
| 13 | | 13 | ||
| 1012. | | 1012.7 | ||
| 9/5, 25/14 | | 9/5, 25/14 | ||
| | | | ||
| Line 118: | Line 118: | ||
|- | |- | ||
| 14 | | 14 | ||
| 1090. | | 1090.6 | ||
| '''15/8''' | | '''15/8''' | ||
| | | | ||
| Line 125: | Line 125: | ||
|- | |- | ||
| 15 | | 15 | ||
| 1168. | | 1168.5 | ||
| 63/32, 96/49 | | 55/28, 63/32, 96/49, <br>108/55, 125/64 | ||
| | | | ||
| 39/20 | | 39/20 | ||
| Line 132: | Line 132: | ||
|- | |- | ||
| 16 | | 16 | ||
| 46. | | 46.4 | ||
| 33/32, 36/35, 50/49 | | 33/32, 36/35, 50/49 | ||
| 40/39 | | 40/39 | ||
| Line 139: | Line 139: | ||
|- | |- | ||
| 17 | | 17 | ||
| | | 124.3 | ||
| 15/14, 27/25 | | 15/14, 27/25 | ||
| 14/13 | | 14/13 | ||
| Line 146: | Line 146: | ||
|- | |- | ||
| 18 | | 18 | ||
| | | 202.2 | ||
| '''9/8''' | | '''9/8''' | ||
| | | | ||
| Line 153: | Line 153: | ||
|- | |- | ||
| 19 | | 19 | ||
| | | 280.1 | ||
| 33/28 | | 33/28 | ||
| | | | ||
| Line 160: | Line 160: | ||
|- | |- | ||
| 20 | | 20 | ||
| | | 358.0 | ||
| 27/22 | | 27/22 | ||
| '''16/13''' | | '''16/13''' | ||
| Line 167: | Line 167: | ||
|- | |- | ||
| 21 | | 21 | ||
| 435. | | 435.9 | ||
| 9/7 | | 9/7 | ||
| | | | ||
| Line 174: | Line 174: | ||
|- | |- | ||
| 22 | | 22 | ||
| 513. | | 513.8 | ||
| 27/20 | | 27/20 | ||
| 35/26 | | 35/26 | ||
| Line 181: | Line 181: | ||
|- | |- | ||
| 23 | | 23 | ||
| 591. | | 591.7 | ||
| 45/32 | | 45/32 | ||
| | | | ||
| Line 188: | Line 188: | ||
|- | |- | ||
| 24 | | 24 | ||
| 669. | | 669.6 | ||
| 72/49 | | 72/49 | ||
| | | | ||
| Line 195: | Line 195: | ||
|- | |- | ||
| 25 | | 25 | ||
| 747. | | 747.5 | ||
| 54/35 | | 54/35 | ||
| 20/13 | | 20/13 | ||
| Line 202: | Line 202: | ||
|- | |- | ||
| 26 | | 26 | ||
| | | 825.4 | ||
| 45/28 | | 45/28 | ||
| 21/13 | | 21/13 | ||
| Line 209: | Line 209: | ||
|- | |- | ||
| 27 | | 27 | ||
| | | 903.3 | ||
| 27/16 | | 27/16 | ||
| 22/13 | | 22/13 | ||
| Line 216: | Line 216: | ||
|- | |- | ||
| 28 | | 28 | ||
| | | 981.2 | ||
| 99/56 | | 99/56 | ||
| | | | ||
| Line 223: | Line 223: | ||
|- | |- | ||
| 29 | | 29 | ||
| | | 1059.1 | ||
| 90/49 | | 90/49 | ||
| 24/13 | | 24/13 | ||
| Line 230: | Line 230: | ||
|- | |- | ||
| 30 | | 30 | ||
| | | 1137.0 | ||
| 27/14 | | 27/14 | ||
| 25/13 | | 25/13 | ||
| Line 237: | Line 237: | ||
|- | |- | ||
| 31 | | 31 | ||
| 14. | | 14.9 | ||
| 81/80, 99/98 | | 81/80, 99/98 | ||
| | | | ||
| Line 243: | Line 243: | ||
| | | | ||
|} | |} | ||
<nowiki/>* In 11-limit [[CWE tuning]] | |||
<nowiki>* | |||
== Chords == | == Chords == | ||
Revision as of 12:21, 22 January 2025
Valentine is a regular temperament for the 7- and 11-limit, which tempers out 121/120, 126/125, and 176/175.
Valentine is very closely related to Carlos Alpha, the rank-1 non-octave temperament of Wendy Carlos, as the generator chain of valentine is the same thing as Carlos Alpha. Indeed, the way Carlos uses Alpha in Beauty in the Beast suggests that she really intended Alpha to be the same thing as valentine, and that it is misdescribed as a rank-1 temperament. Carlos tells us that "[t]he melodic motions of Alpha are amazingly exotic and fresh, like you've never heard before", and since Alpha lives inside valentine this comment carries over and applies to it if you stick close melodically to generator steps, which is almost impossible not to do since the generator step is so small. Mos scales of 15, 16, 31 and 46 notes are available to explore these exotic and fresh melodies, or the less exotic ones you might cook up otherwise.
See Starling temperaments #Valentine for more technical data.
Interval chain
In the following table, odd harmonics and subharmonics 1–21 are in bold.
| # | Cents* | 11-limit ratios | 13-limit extension | ||
|---|---|---|---|---|---|
| Valentino | Lupercalia | Dwynwen | |||
| 0 | 0.00 | 1/1 | |||
| 1 | 77.9 | 21/20, 22/21, 25/24 | 26/25 | 27/26 | |
| 2 | 155.8 | 12/11, 11/10, 35/32 | 13/12 | ||
| 3 | 233.7 | 8/7 | 15/13 | ||
| 4 | 311.6 | 6/5 | 13/11 | ||
| 5 | 389.5 | 5/4 | 26/21, 33/26 | ||
| 6 | 467.4 | 21/16 | 13/10 | ||
| 7 | 545.3 | 11/8, 15/11 | 18/13 | ||
| 8 | 623.2 | 10/7 | 56/39 | 13/9 | |
| 9 | 701.1 | 3/2 | 52/35 | ||
| 10 | 779.0 | 11/7, 25/16 | 52/33 | ||
| 11 | 856.9 | 18/11 | 64/39 | 13/8 | |
| 12 | 934.8 | 12/7 | 26/15 | ||
| 13 | 1012.7 | 9/5, 25/14 | |||
| 14 | 1090.6 | 15/8 | 13/7 | ||
| 15 | 1168.5 | 55/28, 63/32, 96/49, 108/55, 125/64 |
39/20 | ||
| 16 | 46.4 | 33/32, 36/35, 50/49 | 40/39 | 27/26 | 26/25 |
| 17 | 124.3 | 15/14, 27/25 | 14/13 | 13/12 | |
| 18 | 202.2 | 9/8 | |||
| 19 | 280.1 | 33/28 | 13/11 | ||
| 20 | 358.0 | 27/22 | 16/13 | 39/32 | 26/21 |
| 21 | 435.9 | 9/7 | 13/10 | ||
| 22 | 513.8 | 27/20 | 35/26 | ||
| 23 | 591.7 | 45/32 | 39/28 | ||
| 24 | 669.6 | 72/49 | 52/35 | ||
| 25 | 747.5 | 54/35 | 20/13 | ||
| 26 | 825.4 | 45/28 | 21/13 | 13/8 | |
| 27 | 903.3 | 27/16 | 22/13 | ||
| 28 | 981.2 | 99/56 | |||
| 29 | 1059.1 | 90/49 | 24/13 | 13/7 | |
| 30 | 1137.0 | 27/14 | 25/13 | 39/20 | |
| 31 | 14.9 | 81/80, 99/98 | |||
* In 11-limit CWE tuning
Chords
Tunings
Tuning spectrum
| Edo generator |
Eigenmonzo (unchanged-interval) |
Generator (¢) | Comments |
|---|---|---|---|
| 1\16 | 75.000 | Lower bound of 7-odd-limit diamond monotone | |
| 11/6 | 75.319 | ||
| 15/11 | 76.707 | ||
| 7/4 | 77.058 | ||
| 7/5 | 77.186 | ||
| 5/4 | 77.263 | ||
| 2\31 | 77.419 | Lower bound of 9- and 11-odd-limit, 11-limit 15-, and 21-odd-limit diamond monotone | |
| 11/9 | 77.508 | ||
| 15/14 | 77.614 | ||
| 15/8 | 77.733 | ||
| 7/6 | 77.761 | 7-odd-limit minimax | |
| 9/7 | 77.861 | 9-odd-limit minimax | |
| 5\77 | 77.922 | ||
| 3/2 | 77.995 | 5-odd-limit minimax | |
| 11/7 | 78.249 | 11-odd-limit minimax | |
| 3\46 | 78.261 | ||
| 9/5 | 78.277 | ||
| 21/16 | 78.463 | ||
| 11/8 | 78.760 | ||
| 5/3 | 78.910 | ||
| 1\15 | 80.000 | Upper bound of 7-, 9- and 11-odd-limit, 11-limit 15-, and 21-odd-limti diamond monotone | |
| 21/11 | 80.537 | ||
| 11/10 | 82.502 | ||
| 21/20 | 84.867 |