22edo/Unque's compositional approach: Difference between revisions
No edit summary |
m Added audio example for chord progression. |
||
| Line 757: | Line 757: | ||
Note also that a leading tone occurs between the notes E and F; this allows us to achieve a false resolution onto the Fsus4 chord, or C<sup>4</sup>/F, in our progression by way of voice leading from the Orwell diminished chord on E. | Note also that a leading tone occurs between the notes E and F; this allows us to achieve a false resolution onto the Fsus4 chord, or C<sup>4</sup>/F, in our progression by way of voice leading from the Orwell diminished chord on E. | ||
[[File:Isus4 - iiiow - IVsus4 - Vsaj.mp3|thumb|The Csus4 - e<sup>ow</sup> - Fsus4 - Gsaj chord progression]] | |||
Thus, our four-chord progression is Csus4 - | Thus, our four-chord progression is Csus4 - e<sup>ow</sup> - Fsus4 - Gsaj. This series of chords uses a combination of voice leading, tension-and-release paradigms, and circle of fifths movement to provide a dynamic and functional harmonic progression. | ||