14edo: Difference between revisions
→Regular temperament properties: style and comma names |
Dave Keenan (talk | contribs) Change "Intervals" heading to "Notation". Add subheadings for "Ups and downs notation" and "Ivor Darreg's notation". Change "Chord names" to a main section heading (separate from the Notation section). |
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{{Harmonics in equal|14}} | {{Harmonics in equal|14}} | ||
== | == Notation == | ||
=== Ups and downs notation === | |||
{| class="wikitable center-all right-3" | {| class="wikitable center-all right-3" | ||
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<references /> | <references /> | ||
=== Ivor Darreg's notation === | |||
[[Ivor Darreg]] wrote in [http://www.tonalsoft.com/sonic-arts/darreg/dar15.htm this article]: | [[Ivor Darreg]] wrote in [http://www.tonalsoft.com/sonic-arts/darreg/dar15.htm this article]: | ||
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== Chord names == | |||
Ups and downs can be used to name 14edo chords. Because every interval is perfect, the quality can be omitted, and the words major, minor, augmented and diminished are never used. Alterations are always enclosed in parentheses, additions never are. An up or down immediately after the chord root affects the 3rd, 6th, 7th, and/or the 11th (every other note of a stacked-3rds chord 6-1-3-5-7-9-11-13). | Ups and downs can be used to name 14edo chords. Because every interval is perfect, the quality can be omitted, and the words major, minor, augmented and diminished are never used. Alterations are always enclosed in parentheses, additions never are. An up or down immediately after the chord root affects the 3rd, 6th, 7th, and/or the 11th (every other note of a stacked-3rds chord 6-1-3-5-7-9-11-13). | ||