22edo/Unque's compositional approach: Difference between revisions

Unque (talk | contribs)
Added analyses for several scales.
Unque (talk | contribs)
Fixed the part where 22edo was mistakenly referred to as 15. Don't know how I missed that before.
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[[22edo|22 Equal Divisions of the Octave]] is arguably the smallest EDO to support the full 11-limit; it is also the intersection of many popular temperaments such as [[Superpyth]], [[Porcupine]], [[Orwell]], and [[Magic]]. Additionally, fans of 15edo will likely be drawn to 22edo due to the latter being quite useful as an extension of the former that represents many low-complexity intervals with higher accuracy. On this page, I will present my personal experience with 22edo, and hopefully provide a potential framework that others may use to begin their own journeys through the colorful world of 22 Equal Divisions of the Octave.
[[22edo|22 Equal Divisions of the Octave]] is arguably the smallest EDO to support the full 11-limit; it is also the intersection of many popular temperaments such as [[Superpyth]], [[Porcupine]], [[Orwell]], and [[Magic]]. Additionally, fans of 15edo will likely be drawn to 22edo due to the latter being quite useful as an extension of the former that represents many low-complexity intervals with higher accuracy. On this page, I will present my personal experience with 22edo, and hopefully provide a potential framework that others may use to begin their own journeys through the colorful world of 22 Equal Divisions of the Octave.


As always, this page will be full of personal touches that may not reflect an objective truth or even wide consensus about how to use 15edo; I encourage learning musicians to experiment with different ideas and develop styles that best suit their own needs, rather than to take my word (or anyone else's for that matter) at face value as a great truth of music.
As always, this page will be full of personal touches that may not reflect an objective truth or even wide consensus about how to use 22edo; I encourage learning musicians to experiment with different ideas and develop styles that best suit their own needs, rather than to take my word (or anyone else's for that matter) at face value as a great truth of music.


== Intervals ==
== Intervals ==