User:Unque/Barbershop Tuning Theory: Difference between revisions
No edit summary |
No edit summary |
||
Line 70: | Line 70: | ||
|Purely theoretical. Seemingly unattested, despite ringing very well. | |Purely theoretical. Seemingly unattested, despite ringing very well. | ||
|} | |} | ||
'''See also:''' [[5afdo]] | '''See also:''' [[5afdo]], [[8afdo]], and [[7ifdo]] the low-complexity JI scales from which several of these tunings are derived. | ||
== Add-Nine Chords == | == Add-Nine Chords == | ||
Line 164: | Line 164: | ||
|Most likely conceptualized as tempered tuning, not 17-limit JI. | |Most likely conceptualized as tempered tuning, not 17-limit JI. | ||
|} | |} | ||
'''See also:''' [[Kleisma|Kleismic]] and [[648/625|Diminished]], temperaments who provide essentially-tempered versions of the diminished tetrad. | |||
== Dominant Diminished == | == Dominant Diminished == | ||
Line 215: | Line 216: | ||
The only attested tuning of this chord seems to be permutations of 16:20:25, though it may be tempered to better approximate [[3edo|3-EDO]]. | The only attested tuning of this chord seems to be permutations of 16:20:25, though it may be tempered to better approximate [[3edo|3-EDO]]. | ||
Alternatively, one of the | Alternatively, one of the thirds could theoretically be tuned a flat by a Magic Comma in order to add the more consonant 9/7 on top of the chord; while this is technically valid and rings very well, it is purely theoretical and not attested as a tuning of the Augmented triad in barbershop. | ||
Some performers add the Dominant Seventh (9/5) or a Barbershop Seventh (7/4) over the top of an Augmented Triad, but this is usually used as a flourish and not considered a part of the chord. | Some performers add the Dominant Seventh (9/5) or a Barbershop Seventh (7/4) over the top of an Augmented Triad, but this is usually used as a flourish and not considered a part of the chord. |