159edo/Notation: Difference between revisions

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== Helmholtz-Ellis-based notation ==

The first [[159edo]]-notation system proposed by [[~~User:Aura|~~Aura]] modifies the [[Helmholtz-Ellis notation]] in such a way that undecimal quartertones play a central role alongside the traditional accidentals, with mainstream quartertone accidentals being used to represent them. This is because undecimal quartertones are actually useful in modulation to keys that are not on the same circle of fifths while being simultaneously within an unnoticeable comma's distance from the quartertone of [[24edo]], which many musicians outside the microtonal community proper have at least a passing familiarity with. It should be noted that most of the symbols listed in this section derive their functions from JI. In addition, it should be noted that accidentals are not just modifiers for single notes, but signs that indicate the change of both the tonal and modal base, and can thus appear in key signatures.

The first [[159edo]]-notation system proposed by [[Aura]] modifies the [[Helmholtz-Ellis notation]] in such a way that undecimal quartertones play a central role alongside the traditional accidentals, with mainstream quartertone accidentals being used to represent them. This is because undecimal quartertones are actually useful in modulation to keys that are not on the same circle of fifths while being simultaneously within an unnoticeable comma's distance from the quartertone of [[24edo]], which many musicians outside the microtonal community proper have at least a passing familiarity with. It should be noted that most of the symbols listed in this section derive their functions from JI. In addition, it should be noted that accidentals are not just modifiers for single notes, but signs that indicate the change of both the tonal and modal base, and can thus appear in key signatures.

=== Available base glyphs ===

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 == Helmholtz-Ellis-based notation ==
-The first [[159edo]]-notation system proposed by [[User:Aura|Aura]] modifies the [[Helmholtz-Ellis notation]] in such a way that undecimal quartertones play a central role alongside the traditional accidentals, with mainstream quartertone accidentals being used to represent them.  This is because undecimal quartertones are actually useful in modulation to keys that are not on the same circle of fifths while being simultaneously within an unnoticeable comma's distance from the quartertone of [[24edo]], which many musicians outside the microtonal community proper have at least a passing familiarity with.  It should be noted that most of the symbols listed in this section derive their functions from JI.  In addition, it should be noted that accidentals are not just modifiers for single notes, but signs that indicate the change of both the tonal and modal base, and can thus appear in key signatures.
+The first [[159edo]]-notation system proposed by [[Aura]] modifies the [[Helmholtz-Ellis notation]] in such a way that undecimal quartertones play a central role alongside the traditional accidentals, with mainstream quartertone accidentals being used to represent them.  This is because undecimal quartertones are actually useful in modulation to keys that are not on the same circle of fifths while being simultaneously within an unnoticeable comma's distance from the quartertone of [[24edo]], which many musicians outside the microtonal community proper have at least a passing familiarity with.  It should be noted that most of the symbols listed in this section derive their functions from JI.  In addition, it should be noted that accidentals are not just modifiers for single notes, but signs that indicate the change of both the tonal and modal base, and can thus appear in key signatures.
 === Available base glyphs ===