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In standard Western Classical Theory, chords are made by stacking different flavors of Thirds. In 15-EDO, this approach doesn't work as well as you may expect... So, how does one handle chords in 15-EDO?
In standard Western Classical Theory, chords are made by stacking different flavors of Thirds. In 15-EDO, this approach doesn't work as consistently as you may expect... So, how does one handle chords in 15-EDO?


When creating chords in 15-EDO, I tend consider the sum of the stacked intervals to be more important for the chord's function than the values of those intervals; for instance, 4+5 and 6+3 both have a sum of 9, so the chords [0 4 9]\15 and [0 6 9]\15 would be placed into the same category despite having completely different step sizes.
When creating chords in 15-EDO, I tend consider the sum of the stacked intervals to be more important for the chord's function than the values of those intervals; for instance, 4+5 and 6+3 both have a sum of 9, so the chords [0 4 9]\15 and [0 6 9]\15 would be placed into the same category despite having completely different step sizes.