13edo: Difference between revisions

m Section titles
m Approximation to irrational intervals: direct mapping -> direct approximation; style
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== Approximation to irrational intervals ==
== Approximation to irrational intervals ==
=== Acoustic phi ===
=== Acoustic phi ===
13edo has a very close approximation of [[acoustic phi]] (9\13), with only -2.3 cents of error. [[23edo]] and [[36edo]] are even closer, but unlike all closer EDOs, 13-EDO has no other interval that represents any ratio from the Fibonacci sequence (3/2, 5/3, 8/5, 13/8, 21/13, etc.) except of course for 1/1 and 2/1. In a way, one could say that 13-EDO is the only EDO that tempers the ratios of the Fibonacci sequence into a single interval.
13edo has a very close approximation of [[acoustic phi]] (9\13), with only -2.3 cents of error. [[23edo]] and [[36edo]] are even closer, but unlike all closer edos, 13edo has no other interval that represents any ratio from the Fibonacci sequence (3/2, 5/3, 8/5, 13/8, 21/13, etc.) except of course for 1/1 and 2/1. In a way, one could say that 13edo is the only edo that tempers the ratios of the Fibonacci sequence into a single interval.


See also: [[9edϕ]]
See also: [[9edϕ]]
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As a coïncidence, 13edo also has a very close appoximation of [[logarithmic phi]] (21\13), with only -3.2 cents of error.
As a coïncidence, 13edo also has a very close appoximation of [[logarithmic phi]] (21\13), with only -3.2 cents of error.


Not until [[144edo|144]] do we find a better EDO in terms of relative error on these two intervals.
Not until [[144edo|144]] do we find a better edo in terms of relative error on these two intervals.


However, it should be noted that when we are hearing logarithmic phi, we are in fact hearing 2<sup>ϕ</sup> ≃ 3.070. While this interval can still be used in a way or another as a useful tone in a piece of music, it doesn't correspond to anything. When it comes to acoustic phi, we are truly hearing the mathematical constant ϕ ≃ 1.6180.
However, it should be noted that when we are hearing logarithmic phi, we are in fact hearing 2<sup>ϕ</sup> ≃ 3.070. While this interval can still be used in a way or another as a useful tone in a piece of music, it doesn't correspond to anything. When it comes to acoustic phi, we are truly hearing the mathematical constant ϕ ≃ 1.6180.
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{| class="wikitable center-all"
{| class="wikitable center-all"
|+Direct mapping
|+Direct approximation
|-
|-
! Interval
! Interval