User:Eboone/EDO Impressions: Difference between revisions
m renamed supra-syntonic to super-syntonic Tags: Visual edit Mobile edit Mobile web edit |
removed distinction between trivial and macrotonal edos Tags: Visual edit Mobile edit Mobile web edit |
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I have split these edos into categories based on step size: | I have split these edos into categories based on step size: | ||
* 1 | * 1-9edo — '''Macrotonal''' (133.33-1200¢) | ||
* 10-19edo — '''Semitonal''' (63.16-120¢) | * 10-19edo — '''Semitonal''' (63.16-120¢) | ||
* 20-29edo — '''Large Diesitonal''' (41.38-60¢) | * 20-29edo — '''Large Diesitonal''' (41.38-60¢) | ||
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''These terms are not standard in any way. I just made them up.'' | ''These terms are not standard in any way. I just made them up.'' | ||
== | == Macrotonal == | ||
=== [[1edo]] === | === [[1edo]] === | ||
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This edo is just straight up a better version of 2edo. It's a diminished tetrad, but specifically one that closes the octave and, as such, cannot be inverted. It's so metal it has 2 tritones. | This edo is just straight up a better version of 2edo. It's a diminished tetrad, but specifically one that closes the octave and, as such, cannot be inverted. It's so metal it has 2 tritones. | ||
=== [[5edo]] === | === [[5edo]] === | ||
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''Tier: '''C-''''' | ''Tier: '''C-''''' | ||
Of the subsets of 12edo, I'd say this is the most interesting because it contains a whole. There are many pieces that make use of the whole tone scale, but very few that strictly exist in 6edo. [[wikipedia:Claude_Debussy|Claude Debussy]] is well known for his use of this scale. Overall, this is a very interesting color to use while working in 6n-edos, but a very limiting scale to use in isolation. The best 6edo pieces I could find are the prelude and invention from [[Aaron Andrew Hunt]]'s "[https://aaronandrewhunt.bandcamp.com/album/the-equal-tempered-keyboard The Equal Tempered Keyboard]," and honestly they are pretty interesting. | |||
=== [[7edo]] === | === [[7edo]] === |