Toby Twining: Difference between revisions
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Raised in Texas, with family roots in country-swing and gospel, '''Toby Twining''' has traveled musically from playing for rock and jazz bands to experimental composition at the University of Illinois at Urbana-Champaign, where he earned his Bachelor of Musical Composition degree in 1985. In the mid-eighties he became intrigued by the vast potential of the human voice and delved into a broad spectrum of musical techniques, including Renaissance madrigals, scat, African yodeling, and Mongolian throat-singing. The discovery of his own vocal range and performance talents pulled these influences together for Twining and guided him toward an emphasis on composition for a cappella ensembles. | Raised in Texas, with family roots in country-swing and gospel, '''Toby Twining''' has traveled musically from playing for rock and jazz bands to experimental composition at the University of Illinois at Urbana-Champaign, where he earned his Bachelor of Musical Composition degree in 1985. In the mid-eighties he became intrigued by the vast potential of the human voice and delved into a broad spectrum of musical techniques, including [[Historical temperaments|Renaissance]] madrigals, scat, [[African]] yodeling, and [[Mongolian]] throat-singing. The discovery of his own vocal range and performance talents pulled these influences together for Twining and guided him toward an emphasis on composition for a cappella ensembles. | ||
Twining moved to New York in 1987, initially writing for modern dance choreographers who wanted the sounds of a new choral music. In 1990, with a group of five New York-based singers, he presented the first international live concert of his music in Seoul, South Korea. A year later he formed Toby Twining Music, his own a cappella quartet, which performed at music halls and festivals across the United States and in Amsterdam, Copenhagen, and Barcelona in Europe. The quartet grew to a 12-voice ensemble in 1999 to accommodate the expanded range of Twining's Chrysalid Requiem, first performed in Amsterdam as part of the Gaudeamus Foundation's "Festival of New Spiritual Music." | Twining moved to New York in 1987, initially writing for modern dance choreographers who wanted the sounds of a new choral music. In 1990, with a group of five New York-based singers, he presented the first international live concert of his music in Seoul, South Korea. A year later he formed Toby Twining Music, his own a cappella quartet, which performed at music halls and festivals across the United States and in Amsterdam, Copenhagen, and Barcelona in Europe. The quartet grew to a 12-voice ensemble in 1999 to accommodate the expanded range of Twining's Chrysalid Requiem, first performed in Amsterdam as part of the Gaudeamus Foundation's "Festival of New Spiritual Music." | ||
In addition to his vocal compositions, Twining has written many pieces for keyboard and other instruments. Two of his best-known piano compositions, Satie Blues and Nightmare Rag, were recorded by avant-garde pianist Margaret Leng Tan on her 1997 album Art of the Toy Piano (Uni/Point) and have received considerable radio and concert exposure. Twining lives in Philadelphia with his wife, choreographer and dancer Darla Stanley, and their son, Mac. | In addition to his vocal compositions, Twining has written many pieces for keyboard and other instruments. Two of his best-known piano compositions, Satie Blues and Nightmare Rag, were recorded by avant-garde pianist [[Margaret Leng Tan]] on her 1997 album Art of the Toy Piano (Uni/Point) and have received considerable radio and concert exposure. Twining lives in Philadelphia with his wife, choreographer and dancer Darla Stanley, and their son, Mac. | ||
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