70edo: Difference between revisions
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== Theory == | == Theory == | ||
{{Harmonics in equal|70}} | {{Harmonics in equal|70}} | ||
This tuning was singled out by William Stoney in his article "Theoretical Possibilities for Equally Tempered Systems" (in the book [https://monoskop.org/images/c/c3/Lincoln_Harry_B_ed_The_Computer_and_Music_1970.pdf | This tuning was singled out by William Stoney in his article "Theoretical Possibilities for Equally Tempered Systems" (in the book [https://monoskop.org/images/c/c3/Lincoln_Harry_B_ed_The_Computer_and_Music_1970.pdf The Computer and Music]) as one of the six best systems of size 72 or smaller, along with [[72edo|72]], [[65edo|65]], [[58edo|58]], [[53edo|53]], and [[41edo|41]]. These other systems have had notice paid to them, but the same does not seem to be true of 70, which seems to have been ignored ever since, despite it's excellent 5th, which is the 4th number in the convergent sequence to the [[Logarithmic_approximants#Argent_temperament|silver ratio]], following [[29edo]], [[12edo]] & [[5edo]] and preceding [[169edo]]. | ||
The patent val for 70edo tempers out | The patent val for 70edo tempers out [[2048/2025]], making it a [[diaschismic]] system. An alternative mapping is 70c, with a flat rather than a sharp major third, tempering out [[32805/32768]]. In the [[7-limit]], the patent val tempers out [[126/125]], [[5120/5103]] and [[2430/2401]], and provides the optimum patent val for kumonga temperament. The 70c val tempers out [[50/49]], making it a tuning for [[doublewide]] even better than the optimal patent val. The 70cd val tempers out [[225/224]] and [[3125/3087]] instead. The alternative mapping begins to make more sense in the [[11-limit]] and higher, where the patent val tempers out [[99/98]] and [[121/120]] in the 11-limit, [[169/168]] and [[352/351]] in the [[13-limit]], and [[221/220]] in the [[17-limit]]. 70cd on the other hand, with flat 5 and 7, tempers out [[100/99]] and [[245/242]] in the 11-limit, [[105/104]] and [[196/195]] in the 13-limit, and [[154/153]] and [[170/169]] in the 17-limit. 70 also makes sense as a no 5 or 7 system, tempering out 131769/131072 in the 11-limit, [[352/351]] and [[2197/2187]] in the 13-limit, and [[289/288]] and [[1089/1088]] in the 17-limit. | ||
The 17-limit [[k*N_subgroups|2*70]] subgroup, on which 70 is tuned like [[140edo|140edo]], is 2.3.25.35.11.13.17. | The 17-limit [[k*N_subgroups|2*70]] subgroup, on which 70 is tuned like [[140edo|140edo]], is 2.3.25.35.11.13.17. | ||
The fifth 41\70 is the true center of the diatonic tuning spectrum, as it is the [[geometric mean]] of 3\[[5edo]] and 4\[[7edo]]. | The fifth 41\70 is the true center of the diatonic tuning spectrum, as it is the [[geometric mean]] of 3\[[5edo]] and 4\[[7edo]]. | ||
== Intervals == | == Intervals == | ||
{{Interval table}} | {{Interval table}} | ||
[[Category:Equal divisions of the octave|##]] <!-- 2-digit number --> | [[Category:Equal divisions of the octave|##]] <!-- 2-digit number --> | ||