Maximal evenness: Difference between revisions
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<math>\operatorname{ME}(n, m) = \{ \mathbb{Z} + \lfloor \frac{im}{n} \rfloor : i \in \{1, ..., n\} \} \subseteq \mathbb{Z}/m\mathbb{Z},</math> | <math>\operatorname{ME}(n, m) = \{ \mathbb{Z} + \lfloor \frac{im}{n} \rfloor : i \in \{1, ..., n\} \} \subseteq \mathbb{Z}/m\mathbb{Z},</math> | ||
where the [[Wikipedia:Floor and ceiling functions|floor]] function fixes integers and rounds down non-integers to the next lower integer. It can be proven that ME(''n'', ''m'') is a [[MOS scale]] where the two step sizes differ by exactly 1\''m''⟨''E''⟩ when interpreted as a subset of ''m''-ed''E'', and that the indices for the two step sizes are themselves ME when considered as subsets of ''n''-ed''E'', satisfying the informal definition above. | where the [[Wikipedia:Floor and ceiling functions|floor]] function fixes integers and rounds down non-integers to the next lower integer. It can be proven that ME(''n'', ''m'') is a [[MOS scale]] where the two step sizes differ by exactly 1\''m''⟨''E''⟩ when interpreted as a subset of ''m''-ed''E'', and that the indices for the two step sizes are themselves ME when considered as subsets of ''n''-ed''E'', satisfying the informal definition above. ME(''n'', ''m'') is the lexicographically darkest mode among its rotations. | ||
From the MOS theory standpoint, the generator of the scale is a modular multiplicative inverse of it's number of notes and the EDO size. Maximal evenness scale whose generator is equal to it's note amount is called [[concoctic]]. Major and minor scales in standard Western music are such - the generator is a perfect fifth of 7 semitones, as inferred through Pythagorean tuning, and the scale has 7 notes in it. | From the MOS theory standpoint, the generator of the scale is a modular multiplicative inverse of it's number of notes and the EDO size. Maximal evenness scale whose generator is equal to it's note amount is called [[concoctic]]. Major and minor scales in standard Western music are such - the generator is a perfect fifth of 7 semitones, as inferred through Pythagorean tuning, and the scale has 7 notes in it. |