Interseptimal interval: Difference between revisions
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=== Within a pentatonic framework === | === Within a pentatonic framework === | ||
A pentatonic framework, as elucidated in Kite Giedraitis's [http://www.tallkite.com/AlternativeTunings.html Alternative Tuning guide], is far more amenable to interseptimal intervals than the traditional Western heptatonic framework. | A pentatonic framework, as elucidated in Kite Giedraitis's [http://www.tallkite.com/AlternativeTunings.html Alternative Tuning guide], is far more amenable to interseptimal intervals than the traditional Western heptatonic framework. | ||
{| class="wikitable" | |||
|+The pentatonic framework | |||
! colspan="2" |names | |||
!quality | |||
!boundaries | |||
! colspan="2" |heptatonic equivalent | |||
|- | |||
| rowspan="3" |1sn | |||
| rowspan="3" |unison | |||
|perfect | |||
|1/1 to 64/63 | |||
|perfect | |||
|1sn | |||
|- | |||
|half-augmented | |||
|(interseptimal) | |||
! colspan="2" | | |||
|- | |||
|augmented | |||
|28/27 to 16/15 | |||
|minor | |||
| rowspan="3" |2nd | |||
|- | |||
! colspan="3" | | |||
|(interpental) | |||
|neutral | |||
|- | |||
| rowspan="3" |penta-2nd | |||
| rowspan="3" |subthird | |||
|minor | |||
|10/9 to 8/7 | |||
|major | |||
|- | |||
|neutral | |||
|(interseptimal) | |||
! colspan="2" | | |||
|- | |||
|major | |||
|7/6 to 6/5 | |||
|minor | |||
| rowspan="3" |3rd | |||
|- | |||
! colspan="3" | | |||
|(interpental) | |||
|neutral | |||
|- | |||
| rowspan="5" |penta-3rd | |||
| rowspan="5" |fourthoid | |||
|diminished | |||
|5/4 to 9/7 | |||
|major | |||
|- | |||
|half-diminished | |||
|(interseptimal) | |||
! colspan="2" | | |||
|- | |||
|perfect | |||
|21/16 to 27/20 | |||
|perfect | |||
| rowspan="3" |4th | |||
|- | |||
|half-augmented | |||
|(interpental) | |||
|half-augmented | |||
|- | |||
|augmented | |||
| rowspan="2" |7/5 to 10/7 | |||
|augmented | |||
|- | |||
| rowspan="5" |penta-4th | |||
| rowspan="5" |fifthoid | |||
|diminished | |||
|diminished | |||
| rowspan="3" |5th | |||
|- | |||
|half-diminished | |||
|(interpental) | |||
|half-diminished | |||
|- | |||
|perfect | |||
|40/27 to 32/21 | |||
|perfect | |||
|- | |||
|half-augmented | |||
|(interseptimal) | |||
! colspan="2" | | |||
|- | |||
|augmented | |||
|14/9 to 8/5 | |||
|minor | |||
| rowspan="3" |6th | |||
|- | |||
! colspan="3" | | |||
|(interpental) | |||
|neutral | |||
|- | |||
| rowspan="3" |penta-5th | |||
| rowspan="3" |subseventh | |||
|minor | |||
|5/3 to 12/7 | |||
|major | |||
|- | |||
|neutral | |||
|(interseptimal) | |||
! colspan="2" | | |||
|- | |||
|major | |||
|7/4 to 9/5 | |||
|minor | |||
| rowspan="3" |7th | |||
|- | |||
! colspan="3" | | |||
|(interpental) | |||
|neutral | |||
|- | |||
| rowspan="3" |hexave | |||
| rowspan="3" |octoid | |||
|diminished | |||
|15/8 to 27/14 | |||
|major | |||
|- | |||
|half-diminished | |||
|(interseptimal) | |||
! colspan="2" | | |||
|- | |||
|perfect | |||
|63/32 to 2/1 | |||
|perfect | |||
|8ve | |||
|} | |||
Note the two additional interseptimal regions. The boundary ratios are mostly either 81/80 or 64/63 away from a 3-limit interval. The exceptions are 7/5 and 10/7, which are only a [[5120/5103|Saruyo]] comma away from the 3-limit diminished 5th and augmented 4th respectively. | |||
Interseptimal intervals are now easily named. However there are now hard-to-name "interpental" intervals which would be neutral intervals in the heptatonic framework, containing such ratios as 12/11, 11/9, etc. This is because interseptimal intervals are the neutral intervals with respect to the parent [[mos]] [[2L 3s]] of the diatonic mos [[5L 2s]]. See [[Neutral and interordinal k-mossteps]] for a partial generalization of this behavior to other mosses. | |||
So composing in a pentatonic framework may allow interseptimal intervals to play much more pivotal roles than usual. | |||
== Examples == | == Examples == | ||