Microtonal music: Difference between revisions
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== Terminology == | == Terminology == | ||
Many dictionaries define microtonal music as music that employs intervals smaller than a semitone. However, in contemporary practice, "microtonal music" is any music that isn't 12edo, even if it is in a tuning system that does not use any intervals less than a 12edo semitone step. | |||
Several terms have been proposed with more or less similar definitions. A notable example is "'''xenharmonic music'''", coined by [[Ivor Darreg]], which describes music that sounds significantly different from 12edo. | Several terms have been proposed with more or less similar definitions. A notable example is "'''xenharmonic music'''", coined by [[Ivor Darreg]], which describes music that sounds significantly different from 12edo. | ||
== History == | |||
Sometime before 1900, composer Julián Carrillo Trujillo performed experiments on a violin string, using a razor blade to achieve very precise intervals smaller than a semitone, which he called "microtono." Over a decade later, the music theorist Maud MacCarthy Mann began using the term "microtone" to describe Indian sruti intervals that were smaller than a semitone, to differentiate them from quarter tones. In the 1910's and 1920's, there was some discussion as to whether the term was appropriate, or if competing terms, such as "heterotone" or "fraction-tone" etc., would be clearer. By the 1930's, with interest in American Blues music booming, and with people like [[Ivor Darreg]] becoming active with new tuning methods, many more terms were proposed, but the terms "microtonal" and "xenharmonic" were most prominent in the English language by the end of the decade. | |||
== See also == | == See also == | ||
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* [[Whynotnot by Carlos Augusto Scalassara Prando]] | * [[Whynotnot by Carlos Augusto Scalassara Prando]] | ||
* [[Microtone]] | * [[Microtone]] | ||
* [[Mesotonal]] | * [[Mesotonal]] | ||
* [[Approaches to musical tuning]] | * [[Approaches to musical tuning]] |