Horn: Difference between revisions

Line 38:

==What existing music features the horn in a particularly microtonal way?==

~~<ul><li>~~György Ligeti's ''[http://www.amazon.com/gp/product/B00008UVCE/103-4149462-7074248?v=glance&n=5174 Hamburg Concerto]'' "for horn & chamber orchestra with 4 obbligato natural horns"~~</li><li>~~''Epilogue'' (1985) from ''Les Espaces Acoustiques'' by Gerard Grisey is for orchestra with 4 solo horns, in a (crystallized) harmonic-series paradigm~~</li><li>~~''Horn'' by Larry Polansky, score featured in Xenharmonikon 14~~</li><li>~~[http://www.soundclick.com/pro/view/01/default.cfm?bandid=104245 Joseph Pehrson's] ''Harmonic Etude'' for solo horn, ''Nature's Harmony'' for two horns~~</li><li>~~[http://www.archive.org/details/JeffMorrisEtudeforHorn Jeff Morris' Etude for Horn]~~</li><li>~~Richard Burdick's [http://www.i-ching-music.com/FREE102.html opus 102 Planetary Ripples] (1996) for 16 similar instruments, on a harmonic series up to the 27th partial~~</li><li>~~[http://www.roberthasegawa.com/ Robert Hasegawa]: ''the clear architecture of the nerves'' (2000)~~</li><li>~~Bozza, Eugène (1905-1991) [http://www.alphonseleduc.com/ Dix-Huit Etudes en forme d'Improvisation pour Cor](1961)~~~~microtonal writing on ¼ and ¾ tones~~</li><li>~~Grabois, Daniel (1964-) [http://www.danielgrabois.com/ Quarter Tone Manual for French Horn] (2010) </~~span>~~

* György Ligeti's ''[http://www.amazon.com/gp/product/B00008UVCE/103-4149462-7074248?v=glance&n=5174 Hamburg Concerto]'' "for horn & chamber orchestra with 4 obbligato natural horns"

* ''Epilogue'' (1985) from ''Les Espaces Acoustiques'' by Gerard Grisey is for orchestra with 4 solo horns, in a (crystallized) harmonic-series paradigm

* ''Horn'' by Larry Polansky, score featured in Xenharmonikon 14

* [http://www.soundclick.com/pro/view/01/default.cfm?bandid=104245 Joseph Pehrson's] ''Harmonic Etude'' for solo horn, ''Nature's Harmony'' for two horns

* [http://www.archive.org/details/JeffMorrisEtudeforHorn Jeff Morris' Etude for Horn]

* Richard Burdick's [http://www.i-ching-music.com/FREE102.html opus 102 Planetary Ripples] (1996) for 16 similar instruments, on a harmonic series up to the 27th partial

* [http://www.roberthasegawa.com/ Robert Hasegawa]: ''the clear architecture of the nerves'' (2000)

* Bozza, Eugène (1905-1991) [http://www.alphonseleduc.com/ Dix-Huit Etudes en forme d'Improvisation pour Cor] (1961) microtonal writing on ¼ and ¾ tones

* Grabois, Daniel (1964-) [http://www.danielgrabois.com/ Quarter Tone Manual for French Horn] (2010) These etudes were written for gradually practicing microtonal notation.

* Kotulan, Jaroslav (1937-) [http://www.bohne-schulz.de/ 28 Moderne etüden für waldhorn, heft 2] (1995)

* Matosinhos, Ricardo - [http://www.ricardomatosinhos.com/12etudes.html 12 Jazzy Etudes for Horn] (2010) two of these etudes use quarter tones

* Salonen, Esa-Pekka (1958-) [http://www.chesternovello.com/ Concert Étude for solo horn in F] (2000)

* Thompson, Timothy F. (1953-) [http://www.proquest.com/ Extended Techniques for the Horn An Historial Overview With pratical performance Applications] (1997)

~~These etudes were written for gradually practicing microtonal notation.</li><li>Kotulan, Jaroslav (1937-)~~ [~~http://www.bohne-schulz.de/ 28 Moderne etüden für waldhorn, heft 2] (1995)</li><li>Matosinhos, Ricardo -~~ [~~http://www.ricardomatosinhos.com/12etudes.html 12 Jazzy Etudes for Horn~~] (2010) two of these etudes use quarter tones</li><li>Salonen, Esa-Pekka (1958-) [http://www.chesternovello.com/ Concert Étude for solo horn in F] (~~2000)</li><li>Thompson, Timothy F. (1953-) [http://www.proquest.com/ Extended Techniques for~~ the ~~Horn An Historial Overview With pratical performance Applications] (1997~~)~~</li></ul>~~

== See also ==

~~==Further reading==~~

* [[Michael Hugh Dixon]] (aka the Brass Whisperer)

<ul><li>Secor, George D. "An Approach to the Construction of Microtonal Valved Brass Instruments - The French Horn", ''Xenharmonikôn'' vol. 5, spring 1976, pp. 1-3.</li><li>Whaley, David Robert. ''The Microtonal Capability of the Horn''. D.M.A. thesis, University of Illinois, 1975, 154 pages. University Microfilms, Ann Arbor MI, 1975.</li><li>Heim, David Bruce. ''Practical Tuning, Temperament and Conditioning for Hornists and Other Wind Instrumentalists: Understanding and attaining intonational flexibility in musical performance''. Master thesis, University of Tulsa, 1990.</li></ul>

==Notes==

== Notes ==

<ol><li>Jacob Barton, I[[microtonal_horn#note2|(2)]] think</li><li>Mike Battaglia</li></ol>

== Further reading ==

* Secor, George D. "An Approach to the Construction of Microtonal Valved Brass Instruments - The French Horn", ''Xenharmonikôn'' vol. 5, spring 1976, pp. 1-3.

* Whaley, David Robert. ''The Microtonal Capability of the Horn''. D.M.A. thesis, University of Illinois, 1975, 154 pages. University Microfilms, Ann Arbor MI, 1975.

* Heim, David Bruce. ''Practical Tuning, Temperament and Conditioning for Hornists and Other Wind Instrumentalists: Understanding and attaining intonational flexibility in musical performance''. Master thesis, University of Tulsa, 1990.

[[Category:Instruments]]

@@ Line 38: / Line 38: @@
 ==What existing music features the horn in a particularly microtonal way?==
-<ul><li>György Ligeti's ''[http://www.amazon.com/gp/product/B00008UVCE/103-4149462-7074248?v=glance&n=5174 Hamburg Concerto]'' "for horn &amp; chamber orchestra with 4 obbligato natural horns"</li><li>''Epilogue'' (1985) from ''Les Espaces Acoustiques'' by Gerard Grisey is for orchestra with 4 solo horns, in a (crystallized) harmonic-series paradigm</li><li>''Horn'' by Larry Polansky, score featured in Xenharmonikon 14</li><li>[http://www.soundclick.com/pro/view/01/default.cfm?bandid=104245 Joseph Pehrson's] ''Harmonic Etude'' for solo horn, ''Nature's Harmony'' for two horns</li><li>[http://www.archive.org/details/JeffMorrisEtudeforHorn Jeff Morris' Etude for Horn]</li><li>Richard Burdick's [http://www.i-ching-music.com/FREE102.html opus 102 Planetary Ripples] (1996) for 16 similar instruments, on a harmonic series up to the 27th partial</li><li>[http://www.roberthasegawa.com/ Robert Hasegawa]: ''the clear architecture of the nerves'' (2000)</li><li><span style="color: #333333; font-family: Helvetica; font-size: 16px;">Bozza, Eugène (1905-1991) [http://www.alphonseleduc.com/ Dix-Huit Etudes en forme d'Improvisation pour Cor](1961)</span><span style="background-color: rgba(255,255,255,0);">microtonal writing on ¼ and ¾ tones</span></li><li><span style="color: #333333; font-family: Helvetica; font-size: 16px;">Grabois, Daniel (1964-) [http://www.danielgrabois.com/ Quarter Tone Manual for French Horn] (2010) </span>
+* György Ligeti's ''[http://www.amazon.com/gp/product/B00008UVCE/103-4149462-7074248?v=glance&n=5174 Hamburg Concerto]'' "for horn &amp; chamber orchestra with 4 obbligato natural horns"
+* ''Epilogue'' (1985) from ''Les Espaces Acoustiques'' by Gerard Grisey is for orchestra with 4 solo horns, in a (crystallized) harmonic-series paradigm
+* ''Horn'' by Larry Polansky, score featured in Xenharmonikon 14
+* [http://www.soundclick.com/pro/view/01/default.cfm?bandid=104245 Joseph Pehrson's] ''Harmonic Etude'' for solo horn, ''Nature's Harmony'' for two horns
+* [http://www.archive.org/details/JeffMorrisEtudeforHorn Jeff Morris' Etude for Horn]
+* Richard Burdick's [http://www.i-ching-music.com/FREE102.html opus 102 Planetary Ripples] (1996) for 16 similar instruments, on a harmonic series up to the 27th partial
+* [http://www.roberthasegawa.com/ Robert Hasegawa]: ''the clear architecture of the nerves'' (2000)
+* Bozza, Eugène (1905-1991) [http://www.alphonseleduc.com/ Dix-Huit Etudes en forme d'Improvisation pour Cor] (1961) microtonal writing on ¼ and ¾ tones
+* Grabois, Daniel (1964-) [http://www.danielgrabois.com/ Quarter Tone Manual for French Horn] (2010) These etudes were written for gradually practicing microtonal notation.
+* Kotulan, Jaroslav (1937-) [http://www.bohne-schulz.de/ 28 Moderne etüden für waldhorn, heft 2] (1995)
+* Matosinhos, Ricardo - [http://www.ricardomatosinhos.com/12etudes.html 12 Jazzy Etudes for Horn] (2010) two of these etudes use quarter tones
+* Salonen, Esa-Pekka (1958-) [http://www.chesternovello.com/ Concert Étude for solo horn in F] (2000)
+* Thompson, Timothy F. (1953-) [http://www.proquest.com/ Extended Techniques for the Horn An Historial Overview With pratical performance Applications] (1997)
-<span style="background-color: rgba(255,255,255,0);">These etudes were written for gradually practicing microtonal notation.</span></li><li>Kotulan, Jaroslav (1937-) [http://www.bohne-schulz.de/ 28 Moderne etüden für waldhorn, heft 2] (1995)</li><li>Matosinhos, Ricardo - [http://www.ricardomatosinhos.com/12etudes.html 12 Jazzy Etudes for Horn] (2010) two of these etudes use quarter tones</li><li><span style="color: #333333; font-family: Helvetica; font-size: 16px;">Salonen, Esa-Pekka (1958-) [http://www.chesternovello.com/ Concert Étude for solo horn in F] (2000)</span></li><li>Thompson, Timothy F. (1953-) [http://www.proquest.com/ Extended Techniques for the Horn An Historial Overview With pratical performance Applications] (1997)</li></ul>
+== See also ==
-==Further reading==
+* [[Michael Hugh Dixon]] (aka the Brass Whisperer)
-<ul><li>Secor, George D. "An Approach to the Construction of Microtonal Valved Brass Instruments - The French Horn", ''Xenharmonikôn'' vol. 5, spring 1976, pp. 1-3.</li><li>Whaley, David Robert. ''The Microtonal Capability of the Horn''. D.M.A. thesis, University of Illinois, 1975, 154 pages. University Microfilms, Ann Arbor MI, 1975.</li><li>Heim, David Bruce. ''Practical Tuning, Temperament and Conditioning for Hornists and Other Wind Instrumentalists: Understanding and attaining intonational flexibility in musical performance''. Master thesis, University of Tulsa, 1990.</li></ul>
-==Notes==
+== Notes ==
 <ol><li>Jacob Barton, I<span style="font-size: 80%; vertical-align: super;">[[microtonal_horn#note2|(2)]]</span><span style="line-height: 1.5;"> think</span></li><li><span style="line-height: 1.5;">Mike Battaglia</span></li></ol>
+== Further reading ==
+* Secor, George D. "An Approach to the Construction of Microtonal Valved Brass Instruments - The French Horn", ''Xenharmonikôn'' vol. 5, spring 1976, pp. 1-3.
+* Whaley, David Robert. ''The Microtonal Capability of the Horn''. D.M.A. thesis, University of Illinois, 1975, 154 pages. University Microfilms, Ann Arbor MI, 1975.
+* Heim, David Bruce. ''Practical Tuning, Temperament and Conditioning for Hornists and Other Wind Instrumentalists: Understanding and attaining intonational flexibility in musical performance''. Master thesis, University of Tulsa, 1990.
+[[Category:Instruments]]