159edo/Interval names and harmonies: Difference between revisions
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| This interval... | | This interval... | ||
* Approximates the [[63/50|Quasi-Tempered Major Third]] | * Approximates the [[63/50|Quasi-Tempered Major Third]] | ||
* Is none other than the familiar | * Is none other than the familiar Major Third of 12edo, and thus... | ||
:* It is useful for evoking the feel of 12edo in various ways, such as... | :* It is useful for evoking the feel of 12edo in various ways, such as... | ||
::* Creating the familiar augmented triads of 12edo | ::* Creating the familiar augmented triads of 12edo | ||
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::* It is very useful as an interpretation of the dissonant Minor Sixth from Medieval music's florid organum | ::* It is very useful as an interpretation of the dissonant Minor Sixth from Medieval music's florid organum | ||
::* It can be used in creating a subtle instability in certain Diatonic harmonies | ::* It can be used in creating a subtle instability in certain Diatonic harmonies | ||
* Is one half of this system's approximation of the Classic Major Tenth | |||
* Is reachable through stacking seven of this system's approximation of the Apotome as a consequence of Mercator's comma being tempered out in this system | * Is reachable through stacking seven of this system's approximation of the Apotome as a consequence of Mercator's comma being tempered out in this system | ||
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| ? | | ? | ||
| [[27/17]] | | [[27/17]] | ||
| | | Rm6, RkA5 | ||
| | | Artomean Minor Sixth, Artomean Augmented Fifth | ||
| | | F#\, Gb+\ | ||
| | | This interval... | ||
* Approximates the [[100/63|Quasi-Tempered Minor Sixth]] | |||
* Is none other than the familiar Minor Sixth of 12edo, and thus... | |||
:* It is useful for evoking the feel of 12edo in various ways, such as... | |||
::* Creating the familiar augmented triads of 12edo | |||
::* Performing modulatory maneuvers based around the aforementioned triads | |||
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| 107 | | 107 | ||