730edo: Difference between revisions
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{{Infobox ET | |||
| Prime factorization = 2 × 5 × 73 | |||
| Step size = 1.64384¢ | |||
| Fifth = 427\730 (701.92¢) | |||
| Semitones = 69:55 (113.42¢ : 90.41¢) | |||
| Consistency = 15 | |||
}} | |||
{{EDO intro|730}} | |||
== Theory == | |||
730edo is a very strong 5-limit system, but is also distinctly consistent up to the [[15-odd-limit]]. It tempers out the [[counterschisma]], {{monzo| -69 45 -1 }}, the minortone comma, {{monzo| -16 35 -17 }}, the kwazy comma, {{monzo| -53 10 16 }}, the whoosh comma, {{monzo| 37 25 -33 }}, and the pirate comma, {{monzo| -90 -15 49 }}. In the 7-limit it tempers out [[4375/4374]] and {{monzo| -21 0 3 5 }}, so that it [[support]]s the [[mitonic]] temperament. In the 11-limit, [[3025/3024]] and {{monzo| 4 -3 -6 4 1 }}, so that it supports the [[deca]] temperament. In the 13-limit, [[1001/1000]] and [[4225/4224]], supporting 13-limit deca. | |||
{{ | [[W. S. B. Woolhouse]] proposed 730edo<ref name="summary">[http://www.webcitation.org/5zxZzQ3eS A summary of W. S. B. Woolhouse's Essay on musical intervals], 1999 by [[Joe Monzo]]</ref> as a [[Interval size measure|logarithmic measure of interval size]], sometimes called the '''Woolhouse unit'''. While 730 is divisible by 2, 5, 10, 73, 146 and 365, it is not divisible by 12, which can be regarded as either a good thing or a bad one. | ||
=== Prime harmonics === | |||
{{Harmonics in equal|730|columns=11}} | |||
== Intervals == | == Intervals == | ||
W. S. B. Woolhouse, in his 1835 essay<ref name="essay">[https://archive.org/details/essayonmusicali00woolgoog/page/n34/mode/2up Essay on musical intervals, harmonics, and the temperament of the musical scale, &c], 1835 by Wesley Stoker Barker Woolhouse</ref>, proposed: | W. S. B. Woolhouse, in his 1835 essay<ref name="essay">[https://archive.org/details/essayonmusicali00woolgoog/page/n34/mode/2up Essay on musical intervals, harmonics, and the temperament of the musical scale, &c], 1835 by Wesley Stoker Barker Woolhouse</ref>, proposed: | ||
<blockquote> | <blockquote> | ||
… dividing the octave into 730 equal intervals, which we shall call ''degrees'', the elemental intervals will be: | |||
<pre> | <pre> | ||
Major-tone, t = 124 | Major-tone, t = 124 | ||
| Line 17: | Line 27: | ||
Comma, c = 13 | Comma, c = 13 | ||
</pre> | </pre> | ||
… | |||
These numbers present a more accurate measurement of the musical scale than any other, unless we go to very high numbers. The greatest error which can arise from their natural or melodious combinations is that of the fifth, and does not amount to one half of the error of the major-tone above mentioned. | These numbers present a more accurate measurement of the musical scale than any other, unless we go to very high numbers. The greatest error which can arise from their natural or melodious combinations is that of the fifth, and does not amount to one half of the error of the major-tone above mentioned. | ||
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</blockquote> | </blockquote> | ||
== Woolhouse diatonic scale == | == Scales == | ||
=== Woolhouse diatonic scale === | |||
Woolhouse defined the following diatonic/heptonic scale for 730edo<ref name="essay" />. | Woolhouse defined the following diatonic/heptonic scale for 730edo<ref name="essay" />. | ||
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== References == | == References == | ||
<references /> | <references /> | ||
[[Category:Equal divisions of the octave|###]] <!-- 3-digit number --> | [[Category:Equal divisions of the octave|###]] <!-- 3-digit number --> | ||