159edo/Interval names and harmonies: Difference between revisions

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Finally reached the Perfect Fifth...
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| Ft>, Gdb>↑
| Ft>, Gdb>↑
| This interval...
| This interval...
* Approximates the [[27/22|Alpharabian Tendoneutral Third]] or 2nd Undecimal Neutral Second, and as such...
* Approximates the [[27/22|Alpharabian Tendoneutral Third]] or 2nd Undecimal Neutral Third, and as such...
:* Can occur as the distance between two notes in a single chord in Western-Classical-based polypedal harmony, though this causes dissonance, and thus requires resolution
:* Can occur as the distance between two notes in a single chord in Western-Classical-based polypedal harmony, though this causes dissonance, and thus requires resolution
:* It serves as the larger and more dissonant of two Neutral Thirds in Western-Classical-based Paradiatonic functional harmony, and thus...
:* It serves as the larger and more dissonant of two Neutral Thirds in Western-Classical-based Paradiatonic functional harmony, and thus...
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| G\
| G\
| This interval...
| This interval...
* Approximates the [[85/64|Septendecimal Fifth]], and thus...
* Approximates the [[85/64|Septendecimal Fourth]], and thus...
:* Is one of two intervals that can generate a Diatonic MOS with a sound and feel akin to that seen in Superpyth temperament
:* Is one of two intervals that can generate a Diatonic MOS with a sound and feel akin to that seen in Superpyth temperament
* Is the closest approximation of 17edo's Perfect Fourth found in this system, and thus...
* Is the closest approximation of 17edo's Perfect Fourth found in this system, and thus...
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| Rk5
| Rk5
| Wide Grave Fifth
| Wide Grave Fifth
| G↑\
| A↓/
| This interval...
| This interval...
* Approximates a complex 11-limit interval, which, in this system...
* Approximates a complex 11-limit interval, which, in this system...
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| ?
| ?
| r5
| r5
| Narrow Fourth
| Narrow Fifth
| A\
| A\
| This interval...
| This interval...
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| ?
| ?
| [[128/85]]
| [[128/85]]
|  
| R5
|  
| Wide Fifth
|  
| A/
|  
| This interval...
* Approximates the [[128/85|Septendecimal Fifth]], and thus...
:* Is one of two intervals that can generate a Diatonic MOS with a sound and feel akin to that seen in Superpyth temperament
* Is reachable through stacking two of this system's approximation of the 2nd Undecimal Neutral Third
* Is the closest approximation of 17edo's Perfect Fifth found in this system, and thus...
:* Can be used in melodic and harmonic gestures reminiscent of those found in that system, albeit with caveats, since such moves on their own don't work the exact same way in this system
* Is the closest approximation of 22edo's Perfect Fifth in this system, and thus...
:* Can be used in both Superpyth-based and Faux-Classical-based melodic and harmonic gestures reminiscent of those found in that system, albeit with caveats, since such moves on their own don't work the exact same way in this system
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| 95
| 95
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| ?
| ?
| [[68/45]]
| [[68/45]]
|  
| rK5
|  
| Narrow Acute Fifth
|  
| A↑\
|  
| This interval...
* Is reachable through stacking five of this system's approximation of the 2nd Undecimal Neutral Second
* Is the closest approximation of 10edo's Perfect Fifth found in this system, and thus...
:* Can be used in Warped Diatonic gestures reminiscent of those found in that system, albeit with caveats, since such moves on their own don't work the exact same way in this system
* Is one of two intervals that can generate a Diatonic MOS with a more extreme hardness than that seen in Ultrapyth temperament
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| 96
| 96
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| ?
| ?
| ?
| ?
|  
| K4
|  
| Lesser Acute Fifth
|  
| G↓
|  
| This interval...
* Approximates a complex 5-limit interval formed by stacking a syntonic comma on top of a Perfect Fifth
* Is reachable through stacking two of this system's approximation of the Octave-Reduced Thirteenth Subharmonic
*
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| 97
| 97